Fascinating. Andrew Lloyd Weber churned out a string of block-buster successes... and then released something which was merely pretty good. "Disaster! Failure!! Has-been!!!" screamed the critics. Even his worst piece is better than the level to which most composers work, but if he doesn't manage to hit the stratosphere, it's a dud? Same here. DAZ manages to turn out an incredible string of popular models which are well-constructed and strike a particular responsive nerve in the consumer. Success after success. They then have the temerity to release something which isn't an over-night success, and all of a sudden they've lost their touch? Sounds like sour grapes to me. Carolly