Thanks Kix, yeah the texture maps were generated in Photoshop from a ton of pictures I took. I work about a block from the Alamo so if I need a reference shot I just run over there and grab a few. One of our photographers went to the movie set north of Austin and brought back some shots about a month ago, so I have those to compare it to. I initially started this project in Lightwave but when I saw the improvements made in Carrara 3 I decided to switch gears. My experience in Lightwave's subdivision modeler carried over nicely to Carrara's and with this project I'm really digging deeper into Carrara's texturing system, it really seems heavy duty.