I rendered this in two stages - Vicki, the pavement and the lamp-post were done with a "long" lens (100mm), but the wall was done with a "fisheye" (about 3mm if I recall) and the two were composited together. I did do it on purpose to make the surroundings seem to be looming menacingly - didn't quite work as well as I'd expected, but congratulations Barrie - you were right, and you're the first to notice. :-)