Here's an example from the situation I described earlier. Shot in triple lighting: over head tungsten (some with colored gels), external flash on bracket and overcast daylight coming through floor-to-ceiling glass windows/doors coming behind me. This is straight from the camera. In fact, it's not even the RAW converted, I simply extracted the JPEG (I set the 10D to save a small, high compression one with each RAW file). So, this is how the camera saw the scene without my input through the conversion software. Only thing I did to this in Photoshop was to rotate, resize and sharpen. No other color corrections or settings were done. -=>Donald