> Quote -  Ha! It's an old illustrator trick going back to the days of Rembrandt. In the painting days, you just cover the entire canvas with blue and then paint in the warm highlights. In this particular 3D piece, I just pointed a blue spot light with the angular falloff set to 100% towards the snow globe. So, every place that the warm light doesn't shine is tinted blue; yet it turns darker the further away from the focus point it gets.

Sorry, I must be extra dumb today, because I don't think I am getting this right. I tried it and I still get black shadows. And I get blue highlights from the spot. I can get rid of them by excluding an object from the spot's influence, but the black shadows are still there... Am I pointing the spot from a wrong angle?

Image attached shows the version with the sphere excluded from the blue light.

:blushing: Sorry, I am extra dumb today!:blushing: Time to go get coffee or something.:blushing: Forgot to say thank you for the tip! :) Hope I can get it right...