Thank you, that's very kind. I am lucky enough to be a painter who came to three d work about 12 years ago. I've been working with a ny agent for about three years who is very very hard to please, doing mainly wordless kids books (I do the images over and over and over ;) until she is happy so I get lots of practice) So far she hasn't been able to sell any as they are bit 'unusual.' I've been rejected by all the best NY publishers so far - their one common critique is that my work looks too CG , sadly. So I will sit down for a month or two soon and look at other working methods (within Carrara).

 

Carrara users, yes they are in the main highly intelligent and some are fabulous artists. I'm not sure why, maybe because Carrara is such a good package that people can take a commercial product and bash it around till it is their own. Of course you can build stuff in Carrara if you want - so all sorts of people are attracted to the software.

I think it's versatility might be it's death knell as far as Daz future development for various reasons. ;)