What I meant is what Bloodsong has said. I also think the shadows form the gazeebo might be the key to unite those two composition points (already one patterned shadow climbs by her skirt). Maybe moving the figures (as bloodsong says) and increasing the light from inside the gazeebo could work. And about the theme, yes, we need more romance (although I won't give up naked beauties shooting at tentacled monsters, you can have both worlds)