Actually that's closer to the opposite of what I need.  I need something that will add keyframes to a range, not remove them.

tebop, I've never use Logic, so I can't make a recommendation.  I read in a couple of places that melodyne was the best hands down for pitch and formant shifting, after trying it I was quite impressed.  It made the cheap plugin and shareware formant shifters not even worth the download.  I can't say if it's the best, but its very good.

You may want to ask this question on a pro audio board.  There will be guys out there that have used every pro audio editor and can give you comparisons.

Try searching for audio editors that allow "formant shifting."  This will allow you to change the pitch of your voice without making it sound like a chipmunk.

One of the better ones is Melodyne by Celemony, it's easy to use and works very well.  Unfortunately its pretty expensive, though they have a demo for download on their website.  You can't save with it, but at least you'll have an idea of what's possible.  I'm amazed at how convincingly I can alter my voice with it.

The lower end editors are likely to give poorer results with more distortion.

If you don't have the budget, search for editors that allow formant shifting, but if you need very good results then you may have to shell out for something more pro.

Thanks for the reply BastBlack.

I found the product CP, but based on the description I don't think it will do what I need.

Thanks Richardson, I'll give that a shot and see how that works, I never would have thought of using the UVs like that.

X-posted.

Thanks for the reply Steve.  Unfortunately I don't think your reply to #2 will help me.  I don't think maya has magnets or brushes, (it may have the same deformers with a different name, I'm not sure, I've never touched C4D).  I know that there are ways to make organics from polygons, but making morphs specifically for existing poser figures means you aren't going to have the luxury of converting to/from nurbs or subDs, or even adding/subtracting geometry, so my question was geared more toward working within these limits.

Ok, as far as #1 goes I figure that I can put the overlapping body part vertices into sets, which would make editing the mesh seams much easier, (it just slipped my mind for some reason).  But I still wonder if anyone has tips on organic modeling using strictly polygons.