Have you tried the viewpoint output mode. I know you can get texturse with that.

This is rubios loin cloth without texture http://www.renderosity.com/viewed.ez?galleryid=340022&Start=1&Sectionid=0&filter_genre_id=0&Form.Search=larryr&Form.Criteria=ALL This is the beastmaster set from DAZ http://www.renderosity.com/viewed.ez?galleryid=271777&Start=1&Artist=Muscleguy&ByArtist=Yes

Do a google search on Tagame he has some great free stuff. Among them is a conformong short of long loin cloth which is exactly what you are looking for

I am not sure about Chad but Dan Farr's resemblance to M2.is freaky. It was a little shocking when someone pointed it out to me. It must be a little strange for him to see his own face in all these renders.

Try Tagame he has some excellent stuff for free DAZ has the beastmasters

I like the beastmaster loin cloth sold by DAZ. It is fully comforming with all the appropriate morph dials and you can make the parts you do not want to see (the boots and chest strap) invisible. I also like rubios Sarong (I know must have the spelling wrong here)

I have been an active bodybuilder and bodybuilding judge for the last 15 years and I can tell you I have never seen any human with the distorted shoulders that you see on mike when you crank up the muscular morphs. The shoulders do not look bad in the standing arms down at sides poses (contraposto) but as soon as you raise the arms he begins to look fake. Would going in and tweeking the partial body morphs dials help?????

Since you work at a graphics school maybe you can help me. In portfolios that students submit to you, what sort of documentation do you require. Are you satisfied with attribution or do you expect documentation of permission for copywritten works.

I teach 3D modeling to High School students. Correct Attribution and Plagerism are 2 of the most difficult concepts to get accross to kids. The problem is made greater by the fact the Artists are constantly borrowing each others work. When I use Poser I am using the work of both the people at DAZ and Curious Labs (and who knows how many others) I teach my students that when one is doing work for educational purposes, it is usually sufficient to provide attribution only and not obtain permission. As soon as they attempt to publish the work (say to the web) they must also obtain permission from the original Authors. In all cases they must provide me with a list of objects models etc that they have borrowed from others. (Including each other) I am right now having a very serious discussion with a student who has created a beautiful short Star Wars based animation in 3D Studio that uses Lego men he created from scratch. He has made all the meshes created some of the textures and done hin own animation. He wants to use a sound Track from the Matrix so that he can submit it for his portfolio. Fair use says that he can use 30 sec or 10% (which ever is less) of a music work without obtaining permission. His animation will be 60 seconds long. He thinks that I am being overly Anal to worry about this. I am telling him that if anyone is concerned about correct attribution it is going to be an Art school and it is critical that he do everything by the book. I wonder if anyone has ever been denied admission to a school because of incorrect or inadequate attribution???????

What would be considered an appropriate focal length for a multifigured scene shot from say 50 feet away.(I know that that is not a real poser unit but you know what I mean) In the group image above the individuals from 25 to 150 look reasonable. I am guessing that the lower focal length might work better if you had several characters not all the same distance from the camera

What would be considered an appropriate focal length for a multifigured scene shot from say 50 feet away.(I know that that is not a real poser unit but you know what I mean)

I will be posting Squat racks, Weight racks, and Benches in about a week.

I do not think that these particular props will need much texturing however I am sure I will want to do other props in the future. Thanks for the tips