zhounder opened this issue on Feb 22, 2003 ยท 5 posts
zhounder posted Sat, 22 February 2003 at 2:17 PM
Michelle A. posted Sat, 22 February 2003 at 2:59 PM
I've never shot stained glass, but I would think first and foremost you would want to use a tripod definitely. I think that if it were me....I would use an aperture of about f/11 for maximum DOF throughout the whole stained glass and as long a shutter speed necessary to get the right exposure. I'm guessing you will need longer shutter speeds on this, especially if shooting from the outside. I would also bracket my shots going at least 2+ and maybe 1- to make sure I got my exposure right. I loved stained glass and would not only try to get the whole of the window but also maybe play with some close-ups as well.......hope that helps but like I said I'm not an expert on stained glass photography.
I am, therefore I create.......
--- michelleamarante.com
Kurka posted Sat, 22 February 2003 at 8:31 PM
If you can, do a double exposure. Once for the windows, turn the lights on, and re-shoot. If you are using a digital camera, it should be no problem compositing the shots. Use a tripod, though.
Wolfsnap posted Sat, 22 February 2003 at 10:07 PM
Just my 2 cents: Get as parallel as you can to the glass (to maximize depth-of-field) - of course, this is going to depend on whether you are going to incorporate any other compositional elements (foreground pews, whatever). take a spot meter reading from a pane that you would consider "medium" in tonality and shoot at that exposure - I would stop the lens down to about the middle of its range (best optical results) - and DEFINITELY use a tripod. The dual exposure idea is good too, if there is going to be anything in the foreground to expose for as well (gonna be about impossible to do it in one exposure if you've got something in the foreground unless you bring in some lighting and balance it to the window) If you want the glass to really "pop" as a subject in itself, turn all the light out in the building, exposing for just the light coming through the glass. Something that may be cool - a silhouette of something/someone in front of the glass - but now we're getting into your creative vision - which needs to be all yours.
Mike_Panic posted Mon, 24 February 2003 at 2:59 AM
Attached Link: iPhotoForum.com
everyone seems to have covered this pretty well... although i wouldnt shoot at f/16, u risk not focusing on the all of the window and depending on how far away you are, some of it may not be in focus, i would shoot f/16 or even f/22... if your shooting film, get 100iso film, slide is even better if u can, id pick up a roll of kodak e-100vs for this. tripod is a must, if u dont have a shutter release cable, set your camera up then set the timer, that way u wont risk bumping the camera at all during the exposure bracket shoot it.. set it to f/16, meter to the right shutter speed, then underexpose by 1 stop and over expose by stop