PeeWee05 opened this issue on Feb 22, 2006 ยท 9 posts
PeeWee05 posted Wed, 22 February 2006 at 5:41 AM
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Onslow posted Wed, 22 February 2006 at 6:28 AM
It was not you or your camera, it was the scene you were trying to capture.
It is too higher contrast for any camera to be able to photograph and capture all the detail from bright sunlight to deep shadow. When you were sitting there I doubt your eyes could pick up all the detail in the shadow and sunlight areas at the same time. If you looked into the predominant shadow area straight in front of you, your mind conveniently skipped over the bright areas it could not see and gave the illusion it was a complete scene. It had previously registered the bright areas when you approached and sub consciously filled them in for you. Of course the camera is not so clever as the human mind so it can't do this.
It is part of getting to know what the camera sees is not the same as what you see. You become trained into seeing what is actually there, not what your mind will tell you is there.
One of the great joys of photography is that over time you begin to see things you never had before because you become attuned into actually observing reality and it is not always as you first thought.
So to capture this scene you would need to make sure that only dark areas were in the frame because the camera would have been able to handle dark areas alone. It is much like you walking out of a house into bright sunlight your eyes can only handle within certain limits from dark to light, as can the camera.
It is a very successful photograph in it's way. You did not get the shot you had hoped for when pressing the shutter but you have got something that will help you get lots of other shots with great exposure that do turn out how you want them to. Part of the experience and learning curve and worth it for that.
Message edited on: 02/22/2006 06:31
And every one said, 'If we only live,
We too will go to sea in a Sieve,---
To the hills of the Chankly Bore!'
Far and few, far and few, Are the lands where the Jumblies
live;
Their heads are green, and their hands are blue, And they went to
sea in a Sieve.
Edward Lear
http://www.nonsenselit.org/Lear/ns/jumblies.html
TwoPynts posted Wed, 22 February 2006 at 8:13 AM
Good explanation professor Moonbeam! ;^]
Kort Kramer - Kramer Kreations
Onslow posted Wed, 22 February 2006 at 8:31 AM
:P
Taken from my forthcoming book: Zen and the Art of Onslow, First part available now price 0.99 followed by 200 weekly parts price 5.99
And every one said, 'If we only live,
We too will go to sea in a Sieve,---
To the hills of the Chankly Bore!'
Far and few, far and few, Are the lands where the Jumblies
live;
Their heads are green, and their hands are blue, And they went to
sea in a Sieve.
Edward Lear
http://www.nonsenselit.org/Lear/ns/jumblies.html
TwoPynts posted Wed, 22 February 2006 at 8:33 AM
Sheesh, your knowledge doesn't come cheap! ;]
Kort Kramer - Kramer Kreations
DJB posted Wed, 22 February 2006 at 9:31 AM
Yep that was one insightful explanation. Even if it wasnt true I would believe it. I 've done enough of these shots to know they don't work out so good.Benefits of cropping.
"The happiness of a man in this life does not consist in the
absence but in the mastery of his passions."
PeeWee05 posted Thu, 23 February 2006 at 12:49 AM
Oh well it with have to stay in the "am I ever gonna see light again" bin... Tx Rich, I must admit that Photography is already making me look for composition all over the place, but at least I'll know what to do with these shots infuture... :}
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Cheers posted Sat, 25 February 2006 at 10:40 AM
Can I just ask if you was using a filter infront of the lens? I think all of us often find we take pictures of scenes outside the lattitude range of the film or sensor we use, but don't suffer fromlight fall off like this. To me it looks like a filter (UV or skylight) infront of the lens. Cheers
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PeeWee05 posted Mon, 27 February 2006 at 12:52 AM
Nope on filter, in this shot. I tried with a polarising later but the result was the same...
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