My Nanny by aztek
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Description
I am maybe four years old. It is early summer, and I'm playing in the garden. I see a frog, bright green, it fascinates me. I watch it for a while, squatting beside it, and trying to ape its hops. Then I get bored.
There is a brick lying on the ground. I pick it up and drop it on the frog. It gets squashed flat, its beautiful color begins to dull. I pick it up carefully by one foot and carry it to my old nanny. I think I'm expecting some sort of praise.
She looks at me, at the frog, and at me again. After a moment she sighs, and gently takes the frog from my hand.
"Now make it alive again," she says, "give it back what you took from it."
I'm astounded. "But I can't!" I wail. I begin to cry. I'm a well-behaved child, whatever my nanny tells me to do, I do. But not this time, this time I don't know what to do.
"Tell me how," I beg. "Show me!"
She shakes her head. "There is no way to do that, my love," she says sadly.
She digs a small grave in one of the flowerbeds, lays the little frog in it and covers it. She takes my face in her gnarled hands and looks into my eyes.
"Remember," she says, "never take anything you can't give back. Never... From anybody..."
It's been almost fifty years since my nanny died. Not one day goes by that I don't remember her words, that I don't regret the death of that little frog.
Lale
Comments (2)
drace68
A well conceived and plotted parable. Your use of short sentences and clauses, plus word choices, bring the reader into the young person's mindset: excellent. Your constructions differ slightly from American English vernacular, but charmingly so. The difference helps transport the reader. Lale, my apologies, but TallPockets says to offer my comments on writing mechanics out where people can see them. In my opinion, please eliminate half of the "I" words. Your piece is 268 words long. It contains eighteen "I' and "I'm" words. First person narrative, yes, but try to hold back to a rate of one "I" per thirty words on average. That number (not original with me) has been bruited about in many seminars; it works IMO. The problem is that the tall vertical stance of the ideoform "I" is abrupt, "in your face," so to speak. With frequent usage of "I," the author pushes at the reader. Now, if you are writing dialog for a diva personality, lay on the vertical pronouns with a trowel. - - - - I do like your story and its wisdom. -- Dick
aztek
Thanks Dick, I appreciate the frank criticism, which was what I was hoping for. I'll re-write the story. TallPockets is absolutely right, criticism should be there for all to see. I learned a lot just by reading commentary on what others had written. Lale