Jim Tetlow
Born 1974, UK
I like ambiguity in art. Uncertainty. What has to conform to the limits of our reality? Metal, glass and flesh can merge seamlessly, as if the surreal worlds and the life forms within are one and the same, and yet at odds sometimes. I rarely seek to endow my works with any "message". I am more interested in people's personal responses.
I'm a multimedia artist working in fine art (including sculpture), digital art, graphic design and various forms inbetween, also illustrating book covers and numerous CD covers. I also work in musical soundscaping, both solo and in group projects, of which there are many releases. I'd like to say a big thanks to everyone here who has supported me in my work and beyond since I began posting in June 2001. Too many to mention, you all know who you are... I'm meeting very special people here :-)
Update 01-08-05: I've been given a 4 page feature article in Issue 3 of the new media magazine Contour based in Atlanta, Georgia. The images printed very well and they did me proud.
Update 21-03-06: I've been spending the last 6 months living in New South Wales, Australia. Inspiring place! Also in the process of illustrating the book covers for a series of Japanese books called Hikishio no Toki (Time of the Ebb Tide) by Mayumura Taku - to date I've completed the first two of the five volumes. I've recently been returning to traditional media as well as producing the usual digital art, and contributed a sculptural canvas to a recent local exhibition. Link: Saatchi Gallery webspace
Update 09-01-21: I hadn't even logged in for some years. It's weird nipping back here after not even posting for 13 years, like revisiting your old school incognito. As I'm not active here anymore I wonder if anyone will even see this again besides me.
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Comments (18)
devineydesignsllc
lov-it!I think it going well,experimenting is the only way.as being a sign painter & artist I think I have used all types of mediums!Fantastic!
gwfa
creates an impression of (somehow) cruelty...(?)
erlandpil
So good and so good work erland
Hexagon
The colours emphasise the form of the image really well. This is achieved in part by the colours in the sheet being echoed onto the canvas. Also there are areas of the sheet that visually disintegrate into the canvas This combined with the occasional merge of colour and tone into background add an extra illusion of depth and allow the attached surface materials to recede beyond the stretched surface. I enjoy the organic colours and rich painterly surface you have achieved. Im sure the actual physical object would be even better than the reproduction online. It captures a good sense of visual movement and although obviously laboured has maintained a great feeling of spontaneity.
Synapse
Thanks for your comments :-) Yes, it is difficult to reproduce something like this as a flat photograph online (the overhanging part of the "hat" in the top right corner is about an inch above the surface of the canvas - there's a little cave in there) but what you see here is pretty adequate in showing the piece.
rudiruth
I love these works of you very much!
Vladivar
I'm sure Beksinski would like it. You've achieved fantastic "organic" effect, lights are brilliant too... Waiting to see more of it. Greets!
Naichan
If you're looking to get a balance of values then I'd say it works, with two dark corners and two light. The choice of colours seems right too, being organic. Thanks for explaining the stages in the production of this. I was wondering how the oil pastels fitted in the scheme :-) Improvement? Difficult one. Hi-lights maybe? BTW, I thought Charles Saatchi had discovered you, till I realised the true nature of your new Saatchi page! Hard luck... but then I never thought he had such good taste in art to appreciate you :-D
Synapse
Oh no, the Your Gallery section of Saatchi's website is for anyone really - but their pages are still nicely presented and it's free too :-)
Dendrite
Your use of colour for me is just right and brings out the human characteristics of this work (as I perceive it) to perfection! The similarity between your creation and the faces of the pickled remains discovered in bogs is uncanny! In Scandinavia numerous leathery remains of Bronze Age people that have been executed and thrown into bogs have been uncovered - leathery being the right word because the acidic conditions tans their skin as if it were a cowhide. Picture available here:- http://www.isbuc.co.uk/Wild/PStory.htm
cbender
i'm simply stunned.. this is awesome, dear jim... i love those colours... amazing... i can watch this for hours without getting bored... cool! way cool, jim!!! hugs christian
DIANE603
OUTSTANDING!!
niek
I like the way you modelled the twigs with the sheet. And of course the use of colours is well done. I like it very much.
gunsan
I find this fanastic Jim, because it seems so alive. Superb job!!
WeeLaddie
Wonderful slimy textures and colours; the detail is fantastic; it's such a suggestive piece of art.
crrunchyfrog
It has been incredible to watch you work on this, its metamorphosis mirroring your rapidly evolving knowledge and a learning curve for me almost as much as it was for you. Your unique vision is not lost at all within traditional media, in fact I think it even more intreaging, and I can't wait to see what you create next! Stunning work my beautiful friend, thank you so very much for sharing everything you do hugest squishy hugs XXX
frankmiller
I dont think it would have mattered what colors you had chose, this still would have come out looking 'organic' in nature and I like that. Textures that reach out to your eyes and grab them not letting go are my favorite. Abstracts I dont normally care for because of their interpretive implications but this one...well, this one I interpret very easily as a Horror theme. Hey, it's what I see. Awesome work. frankmiller (Omen555)
collinbabcock
Great technique with the right result