Jim Tetlow
Born 1974, UK
I like ambiguity in art. Uncertainty. What has to conform to the limits of our reality? Metal, glass and flesh can merge seamlessly, as if the surreal worlds and the life forms within are one and the same, and yet at odds sometimes. I rarely seek to endow my works with any "message". I am more interested in people's personal responses.
I'm a multimedia artist working in fine art (including sculpture), digital art, graphic design and various forms inbetween, also illustrating book covers and numerous CD covers. I also work in musical soundscaping, both solo and in group projects, of which there are many releases. I'd like to say a big thanks to everyone here who has supported me in my work and beyond since I began posting in June 2001. Too many to mention, you all know who you are... I'm meeting very special people here :-)
Update 01-08-05: I've been given a 4 page feature article in Issue 3 of the new media magazine Contour based in Atlanta, Georgia. The images printed very well and they did me proud.
Update 21-03-06: I've been spending the last 6 months living in New South Wales, Australia. Inspiring place! Also in the process of illustrating the book covers for a series of Japanese books called Hikishio no Toki (Time of the Ebb Tide) by Mayumura Taku - to date I've completed the first two of the five volumes. I've recently been returning to traditional media as well as producing the usual digital art, and contributed a sculptural canvas to a recent local exhibition. Link: Saatchi Gallery webspace
Update 09-01-21: I hadn't even logged in for some years. It's weird nipping back here after not even posting for 13 years, like revisiting your old school incognito. As I'm not active here anymore I wonder if anyone will even see this again besides me.
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Comments (15)
erlandpil
Nice color and good work erland
crrunchyfrog
Oh yeah, sure you painted this, you got it from Google Earth, I know it! Seriously, you have to show me how to do this when you get back, I really love what you've created here, the colours just blast out and I adore the textures you've captured. Thank you SO much for creating and sharing all that you do hugest hugs xxxxx
Synapse
It was mostly the Surrealist technique of decalcomania - crushing the paint so it flattens out into coral-like formations - and holding the sheet up to let it run in various directions. The white acrylic was in liquid form, a milky consistency, which really helped with forming those subtle colours and textures as the other colours (just ochre, sienna and blue if I remember right) would flow and run into one another :-)
IO4
I love the textured effects of this, and the colours. Lovely:)
ARTWITHIN
If I bend my head to the right, I see a sky shark making clouds for an angel. Or, a swordfish making foam for a mermaid. :) I love this abstract! Your colors are wonderful and, as you see, I can really get into it and make it my own. Great textures too. Excellent, I think this would be great on a CD Jim. Have fun with it.
mooreno
good artwork stands the test of time wether fordward or backwards
zoren
chaos is good................
clifftoppler
Is it enough to say I like. Could live with it on my wall.
visionart
Brilliant Artwork Jim!!Claywoman
Very awesome! Did you paint it? I ask because of the texture details
nikolais
a nice outcome.
NekhbetSun
~ Brilliant !!!
Synapse
@Claywoman, yes, it was painted, see above :-) Thank you for all your comments :-)
Naichan
Whenever I try this technique it never turns out as well as this! It actually looks like something other than squashed paint (apart from a few white blobs near the bottom). Can't tell what colour transformation you did though. Very topographical and much to my taste :-)
LordLotte
hi, fine artwork! paintings and music comes together, thats cool and we have the same interest, too! im a singer and play guitar, em! lg. lothar