Bios
I began my computing life on a commodore vic20 and I started playing with 3d ray tracing programs in 1984 on an Amiga 500. In these days I run on Windows7 64-bit with an i7 and 12 gigs of ram and 1.7 gig 295 GPU video card. My programs of choice for 3D is Poser7 Pro, Carrara 7 Pro, Vue6.5 infinite, Lightwave 8.5, Modo 401, Z-Brush 4, 3D Coat3.5 . For the 2D stuff CS2, Painter 10, Particle illusions, Apophysis206_3Dhack . So as you can see I have a huge arsenal of programs to get the job done. One thing I do believe in is being able to model and customise your own stuff, and creating your own textures, if you can't then you are at the mercy of other people’s thoughts. I never stand on the one spot for long I’m constantly developing different technique and styles from 2D to 3D I want to learn it all, and my best advice to people is knowledge is you best weapon, in being a better artist. If you have to pay for good tutorials do it, live on the forums this is the best free source you can get, and never give up.
Screen Name
Where did the name Midnight_stories come from? Well I grew up reading comics like eerie and creepy I love the darker things, and evil fascinates me. I wanted to produce comic like those, ones that made you think. So I named myself Midnight_stories.
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Devil Dog Studios
I was member of Devil Dog Studios, it all started with Christopher Haigood (AKA) mestophales , contacting me about doing morphs for the Manitou and one thing led to another. They needed someone who could do morphs and rigging, I may have stretched the truth a bit about the rigging, but don’t tell Brent.  They gave me the Creech to rig from scratch, and it was sink or swim stuff for me. It was a 2-3 week deadline and I had to learn quick there was no help out there, I quit a few times but the guys kept telling me you can do it. We got there in the end and the Creech ended up being one of the best  figures in Poser 8, well I guess that a matter of opinion. We’ve all moved on from those days but still stay in contact and continue to work on projects together. I have a lot to thank DevilDogStudios for and they helped me to become what I am today.
These Days
These days I have my own store and do this full time, I’ve streamlined character development from a month into a week ,sometimes days. I have a big base mesh library thanks to mestophales and Vlk. I’ve been doing more modelling than rigging lately so I hope the quality is lifting. So that’s about it. If anyone wants to throw ideas at me feel free to contact me here or at my web site.
Well thanks for looking and I'll see you on the edge, when the time comes.
All the best !!!!
From the mind on the other side
Midnight.
Blog Page
Comments (11)
thecytron
Xcellent story strip!
McAfee2000
I was going to comment on the gate yesterday but forgot in my rush. It came out great. You're doing a great job - keep up with the story
RBlue
The "lift" statement makes the action a little clearer in frame one, it wasn't as obvious as to what they were doing and likely missed without that word. Good catch. I agree, The trolls are a welcomed distraction.
Jean-Luc_Ajrarn
The gate is indeed amazing. :)
And i sure love your humor! :)
Fabulous! :)
ascript
Excellent ;)
markon
Great stuff, I must admit that I am fond of the trolls and they add a lot to the success of your digital comic. The humor is great
dcatwell
I enjoy the trolls's humor as well. Certainly looks like they're outgunned. It will be interesting to see what happens if they don't get the gate up in time!
jwebster45206
Do you ever sit back and think what an achievement it is to have produced 168 pages? Great dedication. As I said before, I've come to like the trolls too.
MajinBoo
Those two in top panel crack me up! I love the colors and filters you're using. It really gives it that comic feel. I really anxious to see what those Havoc Guards can do!
ldgilman
Excellnet detail and colors, humor and warning. I am looking forward to what's next.
thip
Talk about working under stress LOL Love the way you can smoothly interlace horror and humor, it's an extremely difficult thing to do without one negating the other, something that never happens in your fine writing.