Tom Peters is an illustrator, graphic designer, and writer. His early career included serving as Technical Illustrator at Interstel, subcontracting to NASA, supporting several projects related to the Space Shuttle.
Tom served as the Technical Editor for Digest Group Publications, as well as providing many illustrations within the DGP product line, producing material for the TRAVELLER RPG.
Tom has provided art work for almost every version of Traveller, including MegaTraveller, Traveller: The New Era, Marc Miller’s Traveller, and GURPS Traveller.
In addition to his illustrations for Traveller, Tom has provided art work for West End Games’ TORG, Game Designers’ Workshop’s Traveller:2300 (later changed to 2300 A.D.), Space:1889, and Challenge magazine , FASA’s Renegade Legion, and Battletech games, among others.
Tom’s involvement in the Game Industry continued through the ’90s, moving from the paper and pen field to computer gaming. He joined Virtual World Entertainment, Inc. In 1992 as an artist, working on concept art, interface design, and visual game development. He then migrated to graphic and marketing design and finished with the company as the Marketing Art Director. His completed computer game projects include TESLA BattleTech and Red Planet, Microprose’s MechCommander, Hasbro Interactive’s Axis and Allies: Iron Cross, and Microsoft’s MechAssault.
As a freelance Illustrator, he has provided cover paintings for acclaimed authors Sharon Lee and Steve Miller’s Liaden Universe Companion 1 and 2, as well as two of their Chap Books. He has worked with Science Fiction author Allen Steele on the visual and functional design of the spacecraft in Steele’s novel Spindrift.
Tom currently lives in Illinois, just west of Chicago, with his wife, Diane, and 4 semi-autonomous Greeligs. He works as an Adjunct Professor at DuPage Community College, teaching Adobe Photoshop, Illustrator, and other digital graphic tools, and continues his career as a graphic artist and illustrator.
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Comments (15)
DocMikeB
Wonderful sci-fi creation... splendid image, 5+++++!
Geophree
Most Excellent!
Mordrain
Wonderful picture! As a Sfi-Fi geek this is right up my creek.
Fidelity2
Excellent image. 5+.
JOELGLAINE
That rear U-wing looks like it would be caught in the side-spill of the thrusters' emissions. I think if it were further foward, it'd look better technically (out of the blast),IMO. Out of curiousity, why does it only have one on top? None on the bottom? These are really minor questions on an OVERWHELMINGLY COOL piece of work! The details and wide sweep of breath-taking vista of this piece is staggering and looks better than most Scifi book-covers! Kick-ass work! Woohoo! I wish my space renders looked half as good! ^__^V,,
deci6el
Not being an engineer I'm not distracted by any technical issues with the ships. They look pretty good to me, great textures on the central ship. I really like the quality of the gases in deep space. Could be unrealistic but I don't care. Great looking image.
arcas
Great view. In some ways it performs even better than the book cover piece. I like the scout ship more here, where as the other vessels were a little more intriguing on the original. This version gives you more of a sense of "rim skimming", which is always cool in my book :-) I also love your nebulosity - rich and McCallian while imparting your own flavor to that illustrative objective. The planetary aurora is a wonderful touch, as well. It goes without saying that the ship designs are cool (but there - I went and said it anyway). If I had any nits to pick it's that a) that little chunk of ultra dark nebulosity just to the right of the planet is a bit distracting, and b) the flight paths of each ship seem unique (chaotic). Maybe it's just a camera angle distortion, but if the two (cargo?) ships were more obviously on a similar trajectory the image might "feel" a little better.
TomPeters
Thanks, everyone, for the compliments, and the questions, as well. Joel, I think what you're seeing is the result of forced perspective of the piece-the scene was rendered with a really wide angle. In the actual model, there is plenty of clearance for the exhaust-but I agree, from this POV it doesn;t look it. It only has one U-wing because it needs to land, and another wing would make the undercarriage unreasonably long. (I will note that, in the original design, there WAS another wing.) Originally, the wing was further forward, too, but it was art directed further back. deci6el, I do pay a lot of attention to making the piece look good-and I've been known to cheat a little for the sake of aesthetics-I do TRY to make things seem probable. The background nebula could certainly be real, if the supergiant's star system were close enough to a big emission nebula. It probably wouldn't be bright enough to show a distinct color, though. arcas, no fair, you've had the advantage of seeing the actual cover! I agree with you about the dark nebula, its too distracting. The 2 cargo ships are actually on parallel courses-which givea you some idea HOW wid-the viewing angle is. I probably should've cheated that, to make it look right, as opposed to being right.
Pagrin
Lovely level of detail and subtle lighting work on the ships and planet. Great work. Pagrin :-)
Robert0921
I didn't see the original, I think but this one is very cool.
Denger
Brilliant work, Tom! FIVE STARS
leoshades
Keen ship and pic...
AlphaWolf007
whoaw, that is really good work, magnificent.
zhaanman
OooooHo HO HO this is just tooo sweet!! Love the design and the effect what a beauty and the setting stellar!!!
DukeNukem2005
Remarkable job. This work of art very much was pleasant to me.