Date Joined: 8 August 2002 Hello My name is Daniel O'Byrne, Â
The belief that a good photograph is the result of a good camera places the importance upon the equipment rather than upon the photographer. It emphasizes the machine rather than the man, the tool rather than the artist, the technology rather than the artistic intent. It is as if Monet had been told that the reason why his paintings were so beautiful was because he had such good paintbrushes. Or as if Paul Bocuse’s culinary excellence was explained away by his use of superlative pots and pans. Or again if Yo-Yo Ma had been informed that his Stradivarius was solely responsible for the stunning quality of his music.Â
One can be inspired and have an idea, be very creative in making this idea into a work of art, have developed the required level of craftsmanship, without the outcome of one’s efforts being motivated by the desire to follow a vision for one’s entire body of work. Vision is an overriding envelope that encompasses both inspiration and creativity. It is a blanket that covers the entire artist’s work, a blanket that often comes later in the life of an artist, after one has perfected one’s art and moved beyond the commonplace outcome that most artists have to go through. For this reason I placed vision as the third step of this process. I placed it there not because it comes necessarily at the end of the process but because in life it is often something that artists discover later on.
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Certainly, a master needs a masterful instrument, be it a camera, paintbrushes, pots and pans or a violin, as in my examples, or other tool, since this list can be expanded to include many other professions. But to say that the quality of the art is caused solely by the quality of the instrument is to miss the point altogether about the importance of the artist. It is missing the point about the human factor, about the man or the woman that actually made use of this instrument. After all, art is made by artists and not by tools. Tools are inanimate objects that need someone to set them in motion. And to set a tool in motion so that art is created through the use of this tool, an artist is needed.
I am now retired from working as a Mental Health professional having worked in the Royal Air Force and National Health Service, giving me more time to persue my photography and artwork. I am a Semi Professional Photoghrapher. Here you will find a collection of my photographs and a selection of Digital Art, Traditional Painting and Sketches that I have also used the digital medium to enhance. Please feel free to pass on any comments. My Camera Gear
http://www.renderosity.com/news.php?viewStory=13527 Here you can find my personal website: DIGITALARTZONE Contact me: E-Mail Artwork for sale: My work Tips and tricks: Nature and wildlife Photography Tips and tricks: Bird Photography
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Comments (67)
junge1
Excellent capture, Sig....
rockstrider
This is a superb inflight capture Danny and I love the expression on the owls face! Excellent shot!
DaveDavis
WOW Outstanding Shot!!!
nikolais
haunting and beautiful. stunning moment in flight.
dorothylee
I am speechless. Wow, what an amazing shot!
neoexcello
This is a stunning photo and makes me want to relate and experience. I once knew someone who raised an orphan barn owl. I got up-close and personal with one of these remarkable birds. He wasn't much for personality. The baby growled this horrible, hoarse, loud noise when he wanted food. When he outgrew that, he sat and preened until you gave him a fuzzy little critter, and then he was just a killer. He grew to be huge and regal, beautiful and soft. One of my life's most vivid memories was standing, facing out of the front window of a single-wide mobile home. Hearing nothing, the house was silent. Then I heard a tiny click. The owl had flown from the far end of the living room, maybe 25 feet, with a wingspan of 3 to 4 feet, and I heard nothing except the "tick" of his talons on the kitchen chair beside me.
calum5
Beautifull work Dan:)cal