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Afternoon Of A Starry Night

2D Atmosphere/Mood posted on Mar 18, 2008
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Description


Ever wondered how Vincent's afternoon was, before he painted "Starry Night"? --- I have. What was the light like? What were the roads like? Was he stoic? just things like this. What made him dip the brush and use the very soul of the paint with every stroke? ... He painted what he felt ... every second of the moment ... he was all the colours ... he was paint.

Comments (12)


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Alex_Antonov

12:46PM | Tue, 18 March 2008

very creative!5!

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meico

1:05PM | Tue, 18 March 2008

A 'real life' viewing of Sunflowers set me spinning to a totally-out-of-body natural high - God knows what starry night would do! Yes I can well imagine that the afternoon, with hints of a purple twilight, would be like this. I love the way you've caught the 'feel' of his work in this lovely little piece. Your words compel us to revere the man, deservedly. Mike

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dhanco

2:16PM | Tue, 18 March 2008

Love this image and your words really bring it to life. Great work.

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Fidelity2

2:16PM | Tue, 18 March 2008

Very well done. 5+.

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theconqueror

4:49PM | Tue, 18 March 2008

Superb job ..well done...

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mizoli

4:56PM | Tue, 18 March 2008

Beautiful composition!

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amlondono

8:36PM | Wed, 19 March 2008

words and image are beautiful and poetic , Ana

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Meglaurel

9:46AM | Thu, 20 March 2008

yes yes and yes

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nikolais

6:12AM | Sun, 18 May 2008

fantastic concept and execution!

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anahata.c

5:55AM | Tue, 20 January 2009

a beautiful concept & work because you painted the soul's afternoon as well as the weather's...the piece is doused in deep violets & all kinds of tinges of blues, greens & browns; and it feels like his soul before the painting, as if the whole world—seeing what was about to come out of him—mimicked what was inside of him (rather than make him conform to what was inside it)...The road and apocalyptic sky seem to say "something big's about to happen," and you have beautiful detailing on the foreground sidewalk and building wall...We can only assume van Gogh was what you said: His brushwork, pulsing with those thick globs and blasts of paint, had to come from inside him; and when he was painting, he no doubt was at one with everything he was doing. The amazing thing was that he got that intensity in many other paintings as well (living inside him must've been tumultuous), and I agree with meico that when I've seen original van Goghs, I was reeling. (I saw a show of his years back, and couldn't talk for several hours; I saw Starry Night in NYC/MOMA, and it was hard because so much was around it; but after sinking into it, all I could feel was blasting pulses and everything in massive swirling movement.) What else could the afternoon-before look like? You do very fine & soulful work, I'll be back for more...

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katy555

5:27PM | Thu, 22 January 2009

Very very nice scene. Excellent colors...

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kasalin

5:02PM | Fri, 24 April 2009

Gorgeous image and excellent painting, dear Julian !!! Well done. 5* Love the mood ad the colours too :):):)


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