Mon, Nov 18, 9:01 AM CST

Pole Beans Leaves II

2D Alternative posted on Nov 11, 2008
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Description


Photo of a finished aluminum print. Instead of laying down a normal base coat of titanium white acrylic, i did what you see as a border over the entire plate. inkAID's white matte precoat was then applied to the printing area, border area masked off with painter's tape. The precoat is translucent, so two coats allow a lot of the underpainting to show - this is the acrylic the pigment printer prints onto. Printed, then the white border was added after masking again, some pen and ink. varnished. I do like the look of this. image area 9" x 15" [22.8 x 38 cm] framed out to 14.5" x 20". ~thanks, tim

Comments (11)


november22

9:49AM | Tue, 11 November 2008

BTW, loaded a larger image than a normally do for seeing detail on Zoom.

mooreno

9:53AM | Tue, 11 November 2008

this one is very nice love the detail and texture.

)

anaber

10:16AM | Tue, 11 November 2008

I like the forms and i apreciate the contrast between shadow and light. it touched me.Congratulations.

)

Marinette

4:01PM | Tue, 11 November 2008

mi piace molto l'estetica dei tuoi lavori: come quadri d'altri tempi . Ciao

)

auntietk

10:03PM | Tue, 11 November 2008

This is fabulous!

)

NekhbetSun

5:22AM | Wed, 12 November 2008

Awesome image Tim !

)

helanker

11:51AM | Wed, 12 November 2008

This ie a really beautiful painting. I like it very much. Excellent done.

)

jocko500

6:52PM | Wed, 12 November 2008

this is super. can not wait to get printing myself. i do not have the metal but saw I can use black paper or something like that. may try cloth too/ cool image here

)

Campo-Diaz

11:04AM | Thu, 13 November 2008

Simply fantastic.

)

dpenta

1:08AM | Thu, 20 November 2008

Shrouded leaves, are they dead?

)

anahata.c

1:53AM | Wed, 14 January 2009

(picking up stuff I missed along the way...) You have this way of getting an inner light in pieces like these, as if the leaves were made of translucent material. And you have a definite 'weave' throughout much of this piece, which I happen to love. (I know this can be created by a number of means, but whatever means you used, you chose it and it's quite compelling.) Also, your lines here are facile & almost brittle in spots, which makes them feel sharp & delicate (even though they also look very strong). The red background is wonderfully active & organic, and, for me, makes a fine background for the leaves, not so much that they grew 'out' of the background as that they're held up to us 'by' the background. (I could look at that background alone and be engaged.) A consistently complex work, a work on several levels, and one where both light and your hand come through vividly. And (yes) another fav.


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