Sat, Sep 28, 11:48 AM CDT

Release Me

2D Abstract posted on Feb 18, 2009
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Description


It has been awhile - was not feeling so well. Better now. H.

Comments (10)


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Allenox

7:55PM | Wed, 18 February 2009

Very colorful! Terrific image.

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Juliette.Gribnau

6:34AM | Thu, 19 February 2009

fascinating abstract

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timtripp

5:15PM | Sat, 21 February 2009

marvelous!

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katwoman

10:12PM | Sat, 21 February 2009

Lovely & fresh- it jumps right off the page...

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koosievantutte

1:25AM | Mon, 23 February 2009

vey bright and happy image

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hazyl

10:51AM | Mon, 23 February 2009

Thank you all for the great comments - it has been a rough year and this is a first in a long time. Thanks again. H.

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anahata.c

7:40AM | Sun, 15 March 2009

Your gallery shows much vitality, experiment and mastery of dancing forms...this is one example. Your use of bold & unmodulated, non-shaded hues makes this a bold dance, like cutout forms coming together for a salsa street dance. And there're definitely human-like arms & a sense of party or fiesta; and the simple shapes feel a little like Picasso or Miro—they dance & bulge & celebrate. I hope this is how you're feeling these days. I'll be back for more, though I've looked at several of your works & I like this gallery very much.

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e-brink

11:27PM | Thu, 19 March 2009

Wonderful! A very creative image.

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amirapsp

8:48AM | Sat, 21 March 2009

Oh this is a stunner...WOW

mr-messy

8:53AM | Mon, 10 August 2009

This reminds me of my recent posting "Escape". I found two things that are similar. There is restraint or bondage or prison or something ... but at the top, in my case top right, that restraint is gone, and there is movement outward, onward, and upward. In your case it almost seems like the movement is being pushed from the bottom right. In both cases I would say that the implied message goes beyond just hope, and into that of embryonic beginnings of something new ... the chains are being shed, and the new awaits both you and me. Now is the time to embrace that newness. It is there for the taking.


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