I have been an artist in photography, video art & performance art, and since 1994 in printmaking showing in regional, national and international exhibits. My work of the last few years has involved the exploration of photography and printmaking as a hybrid medium of expression. The work isn't contained within a genre, although landscape and still life studies dominate, but shows concern with texture, the hand manipulation of the image and surface.Â
  For me photography is another way to create images. My Dad gave me a 35 mm camera when I was 11, as I was constantly 'borrowing' his whenever I could get my hands on it; when I was 13 I entered my first photography contest.
  Later all through Viet Nam and four years in the military I carried a camera - both as a way of interpreting what was happening to me and those around me, and to distance myself from it.
  I exhibited photography off and on until I began a career in cinematography and video in the late seventies and received a Master of Art in 1979 from the University of Missouri-KC. I taught mediated communications at Haskell Indian Nations University and later at Northern Illinois University. By 1986, bored with documentaries and commercial video production and seeking to return to the single image, I started a graduate program in studio art, while keeping my day job of producing educational programs in the arts. I found myself taking addition course-work in photography and worked with traditional printmakers in documenting their workshops and classes.
  Upon gaining my MFA, I a took a course in printmaking, and it was a zen moment in the studio: working the plates, inking, pulling prints. A wholly different tradition of the single image, a completely new toolset for me drew me. This was in 1992, and led to 18 hours of post-grad work with intaglio and relief techniques and many more hours with David Driesbach of Miracle Press who for years was the finest example of a person and an artist I'm sure I will ever know; for over a decade he invited me in to document the activities of Miracle Press and the yearly week long master printmaking sessions - his humor and technical skill shows me the way still.
  In 2002 I picked up a digital camera, mostly to record textures I found in wood, stone, mud, and textiles as references in printmaking, and I started thinking immediately about photography from the point of view of a printmaker.
  So I feel that I finally understand enough about the images that I respond to, and most importantly about the images I need to make, to take the journey as photographer and printmaker. Artistic life is full circle, I'm back to that happy kid seeing things truly for the first time in the view finder and the mind's eye, revealed on the plate and paper.
www.timburns-art.com for other work and background information; this functions as an on-line portfolio for me.
tim
Comments (8)
helanker
AWWW!! This is really beautiful and interesting texture. Well done.
Burpee
Like this one best...great job and very 'ages past' look to it.
IO4
Great image! Beautifully done.
anaber
Wonderful, once again Tim!This beautiful peace all around and emanating from the figure!The stunning blue,the textures with colours of nature, organics, somehow, behind the face...like delicate crystals… and the symbol ,the golden symbol,a square, like an entrance...an open door and I adore “doors oppened”…for me, a door is always a challenge and something magic! when I go through a door, i always meet another stage of knowledge and another way to think about things and i discover always something new…new thoughts …it is like a “learning”…thank you for your series. Your images tell us,always, something about of the magic of the life!BRAVO!
2Loose2Trek
Really well done Tim ... I like it! :-)
myrrhluz
All wonderful! This is my favorite as well. Beautiful color and texture. The blue of the hair and purple of the nose and eyebrows, tie her in so well with the background. Lovely feeling of peace and connections.
Alex_Antonov
Amazing!
anahata.c
more of your buddhist art, and while it's not your most recent, I wanted to get some more of your older work before the year ended. I definitely recognize buddha, with his 3d eye, long ear lobes & crowned hair. But you've added violet hues to the eye & nose line, and wonderful sapphire blues around. It's an Oriental Buddha (oriental rather than the thicker features of the Indian counterparts); and it has that inimitable combination of masculine/feminine, with eyes partly shut but open enough to invite the world in. And you've surrounded him with a melange of doors, windows, openings, grates and textures of probably just thought and inner contemplation, and a wonderful meeting of pinks with blues, etc. (The colors in this background are wonderfully rich, as are the textures: You've always done as much with backgrounds as many artists do with main subjects...) And your border contains spills from the main piece, the way the old darkroom photograph borders do (or did). Another fine meditation from you, the buddha's placement on an angle & to the side allows everything around him to come to the fore; and the colors are constantly alive. I wish you a wonderful New Year Tim. I've been gone so much, but I've not forgotten; and you remain one of our best & I wish you much inspiration for 2010.