Ultra Fractal 5.04, with four layers used - one to emphasise the colouring of the main design, and two for the oval "door". This is more a geometrical design than fractal and nods towards the early days of cubism when Picasso and Braque used landscapes and buildings for their adventuring. It isn't for the artist to intrude overmuch on the impression of the viewer/audience, but the picture was worked on late yesterday evening and a small print made from the rendered image to enable a more objective view. The oval doorway resulted from an obvious deliberation, but so was the decision to insist on the monopoly of greens at the top. The thought here was to imply a rising hillside beyond the buildings but the neighbourliness of the reds below should set up a visual vibration by the closeness of such colour complementaries. One other thing perhaps worthy of attention is the importance of the white triangular shape on the extreme right of the picture. It attempts a dynamism by visually linking with the similar light colours to form part of a long diagonal from the one side to the other. Just consider how flat and cumberous the image would become without it. These, at least, were some of my ideas at the time. My apologies for a lengthy description of the obvious. Cliff.