Yes, it's true. On the internet, I'm a rather dull, mild-mannered digital artist, but in real life, I am actually Superfrog.
"Faster than a speeding dragonfly, stronger than a flathead catfish. Able to leap ten hungry alligators in a single bound. Look! Out in the swamp! It's a bird. It's a boat. It's Superfrog!"
* * *
For me, ideas are like butterflies that are flittering around by the dozens. Just grab one and render it, then move on to the next.
BIO:
I began 3D art with Bryce 3 in April 1999. Before that I played with various 2D styles and techniques. Back in the mid-70's and 80's, I worked in metal sculpture and had a line of "frog prints" selling in stores all over Southern California and Arizona. I have been in art in some capacity since childhood. Since the computer came along, I 've pr3etty much lost touch with brushes, pens and pencils which I regret.
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Comments (20)
A_
this is great! :)
jmbwalsh
This is very cool and creative...
jclP
very nice scene and compo
KnightWolverine
Now this "IS" an Art Gallery!...Superb Workmanship/Scene Layout!...
bobbystahr
Very nice...getting good use out of that set aren't ya Dave...well done.. ...
Artformz2
Great job, interesting narrative.
Digital_Mischief
Oh, yes, I like this!! Very nice!
ArtistKimberly
Wonderful
njb2000
Great looking studio lovely artworks!
kjer_99
Ha, ha! What a wonderful concept! Would love to attend that event!
bebopdlx
Something to think about. excellent work Dave.
tulipe
Wonderful scene!
Kalypso
Brilliant idea, well executed as always!
Hubert
Wonderful idea and scene/image!! :)
emay68
Fantastic idea and execution!
as400boy
EXCELLENT RENDITION !!!!!
PhilW
Wonderfully imaginative and beautifully done!
ralphwarnick
Delightful!
Vagabund
Nice scene!
kobaltkween
what i love is that i could easily identify all of the characters on their own, with the slight exception of O'Keefe. the interactions all work well, too. the artwork is, of course, immediately identifiable, and well arrayed. the visibility of the paintings to the audience doesn't feel at all contrived, though i know everything is positioned deliberately. the only weak points i can see are ones you can't do much about. the floor texture seems way too large for the scale of everything else (even if the boards were that large, the patterns on them wouldn't be), and the shadows are a little too constant (not blurring and getting fainter with distance). well, that and the unkindness of bringing back Picasso without Matisse :D. i like the distortion from the camera angle because it gives me the sense of a large space. overall, it's an excellent use of a complex scene, and great storytelling.