On Aviation and Photography:
"You haven't seen a tree until you've seen its shadow from the sky." -- Amelia Earhart
“You don't take a photograph, you make it.” - - Ansel Adams
UPDATED: September 19, 2010
Hi, My name is Bill and I am updating my homepage to reflect a wonderful event in my life...marriage, September 18, 2010, to my best friend Tara...known to many of you as auntietk here on Renderosity.
We "met" shortly after I joined Renderosity in August 2008. We share a love for photography and indeed all types of art.
We live north of Seattle and enjoy getting to share photographic excursions and information with other Renderositians ( is "Renderositians" even a word? ). LOL
As for me, it seems like I've been taking pictures all my life but I didn't get serious enough to purchase my first Digital Single Lens Reflex (DSLR) camera until May 2008. In May 2009 I upgraded from an Olympus E-510 to an Olympus E-30 with a wide variety of lenses.
My subject areas of interest include absolutely everything but with a frequent return to airplanes, cars, tanks, etc., ...or as Tara says, machines that make lots of noise;-)
If you are curious, I am pictured above in a Grumman Corsair on a taxiway of the Kansas City Downtown Airport. I used to fly and train others to fly airplanes. That will explain my frequent forays into the world of aviation. Last but by no means least, thanks to Pannyhb for introducing me to Renderosity. The moment I saw it I was hooked.
Fine print: Yes, the photo above is a photo manipulation:-)
Hover over top left image to zoom.
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Comments (33)
danapommet
I zoomed - excellent clarity!
anahata.c
Amazing story of how they found this plane. And this is your first shot (uploaded) from your 5D MkIII. Well, here we see the greater detail, greater gradation between hue and hue, greater fidelity to light and shadow, greater fidelity, period, that this beautiful flagship camera offers. I know you just started at this time, but the differences are apparent. But it also has earmarks that are 'you', though I may have to struggle to elucidate. For one, with all the detail---which could dominate the shot---it still feels like it's contained in a larger vision. Your angle helps that, allowing us to see the "spill of the insides" while also aware of the whole. (Which includes the plane's place in the museum.) I've often seen, in your work, an equal respect for detail and overview, and maybe that's part of what I mean by "classic" and also "care": Ie, that you care enough to show us both. Care for the subject, and care for us. We see an infinitude in the engine, but it's contained by the whole. And such beautiful lines they move into the propeller...But the other thing is, this camera gives voice to your sense of quality in a single area or hue---the way the propellers sweep and the sheen of the hues; or the separation of greens from silvers in the engine. Or that bullseye behind the plane: This is a potpourri, including the rags of the inspector---those are such a beautiful sight in the midst of all that metal. Like the plane is wearing scarves...A wonderful seizing of a moment, and the camera has given you everything you want, to make it all happen. I know you're learning the camera still, but you seemed to get beautiful results right out of the box. Detailed but poetic (as so many of your shots are); and an eye-opener to anyone who doesn't know planes...
Buffalo1
It doesn't get any better in the detail department. Glad they salvaged this "Emil" and put it back in flying condition.