work in progress finish by jocko500
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Description
this is the finish painting now.
Some one ask me how I can push the people in the background in a painting.
One way is what i did was put a blue glaze over the two people and also a gray glaze over the people . It will look like the people was push back. Another way is to repaint the people in the back another tone and add more blues to the people. blue is cool color and will look like it goes back when a red is there. red is a warm color. but you have to done it down also with whites.
Look at the painting "Blue boy" he had people telling him blue is cool so it goes in the back ground. he show people blue can be in front. What he did was tone down the warm colors with whites. and the blue he put on almost out of the tube.
someone noted I using Daler Rowney system 3 paints. Yes i am as i got them on sell for $2. 15 each on sell.
Comments (36)
Katraz
Nice to see it finished.
GrandmaT
Great job!
erlandpil
Wonderful erland
danapommet
A job well done my friend and good luck when you show it. A very nice series!
pixeluna
A very nice painting and the colors are bright and bold-- you are quite gifted.
anahata.c
this is another piece---the whole series---that I wanted to comment on as soon as it went up. I came back for every WIP, and of course I came back for the finished painting. It was amazing how you changed the background from the first WIP. And then, to watch as you intensified the hues in the front-dancers, and created such contrasts in them---ie, reds against yellows, with added pinks and blues. Very dynamic and rushing. And I love how you paint the faces in "partial" focus---just partial---as you've used strong brushstrokes to indicate the painting equivalent of motion-blur (ie, the kind you get when shooting action with a slow shutter speed). The rush of strokes on their clothes, along with the rush of strokes in their faces, really bring home that these two are dancing, really dancing. (Ie, they're in real motion.) And yes, the blues of the background people are perfect for background. Your background-background---ie, the wall or space behind everyone---reminds me of some of Van Gogh's backgrounds: It has that deep luminous blue that he used sometimes; and which, here, you've mixed with blacks and violets to make it "shimmer". Your brush---ever active---communicates so much energy. I love this. And thank you for showing some of your steps: It was great to see how you evolve a painting. I think you're an explosive, vital and illumined painter, and your paintings always communicate real inner life and energy; and also a genuine sense of paint---that is, they are so vitally paintings. You seem in love with the medium, and it shows in every stroke. I love this.