Orio's Renderosity Home Page
Ciao,
my name is Orio, I've been born on October 11th, 1961, I live in Northern Italy, I'm a professional Xfrog tree programmer/librarian for Greenworks.
I'm a 3D landscape artist and as such I use Vue d'Esprit and other software. I am also an amateur photographer since 1994.
BIOBorn October 11th, 1961 in Salsomaggiore Terme (PR), a small town in Northern Italy, only son of Aldo Menoni and Sila Rossetti, a couple of painter artists.
STUDIES:
University degree in Media and Communications with a thesis on Alfred Hitchcock movies.
CAREER HIGHLIGHTS:
- 1985-1990 Member of the Executive Board of the International Salso film & TV Festival
- 1987-1994 Worked as creative content developer for Signum CG studio, producing several commercials campaigns for national broadcast networks
- 1991 composed and produced music score for the TV movie "Filippo degli Alberi" ("Philip o' Trees") by director Giovanni Martinelli
- 1995 won the 10th edition of the Segnocinema National Award for movie critic, with an essay on the 100 years of Cinema. The essay won over more than one thousand other entries and the jury was composed by internationally known semiologists such as Francesco Casetti and Alberto Abruzzese
- since 1995 a regular contributor and permanent member of the Editorial Staff of Segnocinema magazine
- 1996 composed and produced the music for "Where's my bloody chair?", the making-of video of the movie "Stealing beauty" (featuring Liv Tyler and Jeremy Irons)
- 1997-2000 Cultural Director of the Boscaro Project, for which designed and produced three art books, catalogues, three web sites, and organized art shows in London (European Academy for the Arts, Grosvenor Place, 1998 and Hurlingham Club, Chelsea, 1999), Venice (1999) and Parma (2000), featuring artworks by Giorgio de Chirico, Giacomo Balla, Piero Dorazio, Ettore Sottsass and other artists;
- since June 2000, librarian and tree modeller for Greenworks' Xfrog software.
LIFE AND FREE TIME:
- Formerly married with Ann Lizbeth Andersen in 1997, now divorced.
- Former tennis player, won some regional tournaments in the late 70s and 80s;
- Amateur photographer;
- Long time self-taught amateur of dendrology (science of trees), owning several books on the subject and an evergrowing photographic archive;
- A painter with oils since the age of 5, still affectioned to oil and pastel painting;
- I love trees, cats, ducks, books, art museums, taking walks in the countryside, and open air painting;
- My most beloved places are Paris, the Mediterranean sea coasts, the West coast of Norway, and my hometown hills;
- I am a fairly good cook: my specialties are Penne all'Arrabbiata, Bucatini all'Amatriciana, Spaghetti with walnuts and ricotta sauce, and the Norwegian "Risgroet" pudding;
- I still love women too much!;
- And of course I'm a total addict to Computer Graphics Art - why else would I be here? :-)
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Comments (7)
d_authority
i like the colors and the postwork and the hair and her long neck too!
kfox
Beautiful classic style with a modern hair style!
Heart'Song
I love the painted quality you achieved
Orio
Thank you all :-) You're right Kfox, I was exactly captured by the idea of mixing the classical style with the modern haircut! For some mysterious reason, I think it fits perfectly, and it gives it some extra edge, because this way it's not a quotation of something past, it's more like bringing an ideal from the past to live in today's world - something that I find fascinating. Authority and Heart'Song: I spent several hours in Photoshop for this one. I wanted it subtle and essential. I hate it when you see an image and you can say "oh it's filter xyz from Photoshop". Or when you see something so overdone that it looks like the promo ad of a plugin filter. I wanted to achieve something that was indispensable to the image. At the same time I wanted the original rendering respected. And that's what happened, in spite of the postwork, the original rendering is "still there" for the most. That's what I think makes it strong. Postwork only brought the concept to the surface, but the vital energy must be there from the first time, there must be something very vital to begin with.
Syyd
There is a classic timelessness......and I really like your commentary. Vital energy is a perfect way to describe it.
luciferino
Excellent image very very well done. Ciao ho guardato la tua galleria e devo dire che la trovo particolarmente bella il tuo stile cospulito e particolarmente delicato, anche in questo ritartto la prima cosa che risalta la purezza la luce e la classicitdella posa molto palstica ed eterea. Compliementi sei veramente bravo. ciao Orietta
Larry F
Very very beautiful work!