January 2013
Been at this site five years now and have seen a lot of growth - both artistically and spiritually thanks to the many good friends I have met here. I work with Poserpro2012, photoshop CS6, PSPX2, Perfect Effects 3 and Photomatrix 4. I love working in the material room and continue to find lots of growth there. I also do a lot of postwork fixing, special affects, and framing, all for which photoshop is indispensible. I love doing postwork; no image is anywhere near complete without it.
In the last year or so I've added quite a bit of photography to my gallery. I started with a Nikon Coolpix 9100 point and shoot. It gives amazing quality and its small size makes it easy to pack around and just grab some shots as they come into my vision. I still use it for sneaky people shots but now I use a Nikon D5100 DSLR for my more serious keeper work. Had I known how all consuming my passion for photography would become I should have jumped to a D600 low end pro camera.In my gallery you will see mostly storylines based upon my own visions and versions of Mesopotamian Mythology, sprinkled with some Celtic works and an occasional pinup or two and quite a few special requests. I have long been a writer, though a terrible speller, and so most of my images come with a storyline or poem. No image seems complete to me without words to accompany them.In high school I trained in both the Sciences and Fine Arts but when I went to university I had to choose one or the other and so I went with the life sciences. Art dropped out of my life for a long time... though I never gave up my interest in archeology and mythology. I wound up with a graduate degree in the life sciences with majors in physical geography, ecology and evolutionary biology. My love of nature and a deep naturalistic spirituality eventually led me to the wikkan tradition.Some five and a half years ago I discovered poser after coming across some great 3-d art on the web and after some six months of stumble bum practice I joined this site.Doing this type of art has released many visions and stories that were locked up inside my soul for many ages. It has allowed me to explore the life and times of my primal spiritual ancestor, a girl also named Roxanne, who lived in the Sumerian regions. She whispers the stories of these classic legends in my mind and I create the images to go with them.My stories are mostly written as dialogue and they tend to be rather long. So grab a coffee, a tea or better yet a beer, kick back, relax and stay a while.I hope you enjoy your stay here.Hugs and blessed beRoxy
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Comments (16)
renecyberdoc
like "glued"into the wall.thanks for the history bits as well.
eekdog
cool info and what a splendis photo, Roxy. love it in color. hope you have a b&w version also.. bet the view from them balconey's are awesome.
MineFujiko
Beautiful and spartan view,Roxy-san!
giulband
Great photographic sense of image and a great concept in this series !!!!!
Faemike55
and the cracks in the walls of rock delineate additional future boundaries; and the only entity that cannot be stopped in the quest of expanding those baoundaries is simple water
rhol_figament
You timed it perfectly for the light, feels like an ancient place... :)
magnus073
Roxy, you did a splendid job on this thought provoking dedication to your friend. I like how you were able to post an image that helped to better illustrate the effect he has asked you about. You're points were well made about the number of boundaries and borders featured in this setting. I find myself in total agreement with you on how sad it is that a place built to symbolize peace turned into a symbol of conflict.
CarolusB
impressive :-)
photosynthesis
What a fantastic structure & location. I honestly can't even conceive of the engineering skill & sheer physical work involved in building something like this out of stone materials in the 4th century. Your photo of it is wonderful also, with a couple of boundaries that jump right out at me. The first is the distinctive vertical line that separates the bright, sunlit cliff from the more shaded, tree covered slopes in the background. The same line also marks a boundary between an area of sharp detail & bright color & another area of fuzzy, faded background. And then that same background area on the right is broken up into a series of diagonal slices. My brain tells me these are hills receding into the distance, but my eye also reads them as diagonal stripes piled one on top of the other. Lots going on here compositionally. And, of course, thanks for the info about Lomo...
brewgirlca
Yes, there are two stong boundary lines seen here. The tops of the midground trees descending from the left and then it meets the base of the cliff which forms another strong line. With the two of them there is a triange, a strong compositional element. Thank you for making that so clear.
drifterlee
Very beautiful shot. Well, I live near the Canadian border outside of Detroit.
adorety
The border of architecture on such a cliff face really screams at you. The underlying concepts of location will only be known by understanding the history of the area, which make this picture a great starting point to explore the history of the monastery and the region. Photosynthesis mentions the boundary of the cliff and the sky and that is another prominent boundary. Another more ambiguous boundary is between Earth and Heaven. Considering this place a religious refuge, I imagine part of the inspiration to building on a high cliff was to be closer to the sky or Heaven. So there lies a less obvious border since the gulf is quite wide.
brewgirlca
I can see your point about building on the edge of a hgh cliff face to feel closer to God and heaven. That is an interesting idea. This must have been an especially amazing site when it was active, when pilgrims had to travel tens to hundreds of miles across a vast forested wilderness to get to the place. It would have been especially stunning to see such a beacon of civilzation after such a long and perilous journey. One probably smelled it before seeing it as it had a huge kitchen and bakery and all of it would have been heated by wood fires.
RodS
What a fantastic place - and a beauty of a photo, Roxy! Can you imagine waking up in the morning, and walking out to the veranda to a view from here? That must have been truly inspiring, indeed. This is going to be an amazing series with this theme!
brewgirlca
You can now rent rooms in the structure that fronts the cliff face. They used to be the rooms for the monks. I must be amazing to stay there if a bit spartan still.
maiden_of_darkness
Thank You for sharing. It's a gorgeous shot...I am enjoying your photography and the mini history lessons :)
mickuk50
The blue on the right is quite distracting and tends to draw the eye away, a bit like bright highlights would in a photo. It gives two distinctive feelings with the warm and cold colour's. Mick
KatesFriend
Judging by your narrative this place may also symbolize the temporal division between the modern age and the age of the ancient empires. In the handful of years after the First World War, most empires of the old world were officially abandoned at the same time as this monastery. The photo is jaw dropping and awe inspiring in just its vibrant colours alone. And astonishing as to how this place could have been conceived and made real so many centuries ago. Marvelous, thank you so much for sharing this wonder with us.
brewgirlca
I like that idea. It is very hard to capture temporal boundaries but that is a great one. Indeed it was the end of the age of Empires- something that had sustained and defined humanity since the time of Sargon, the worlds first Emperor. It was the time of the great clearing where Greeks were moved from Turkey and Turks from Greece, destoying family and village ties that had grown for centuries regardless of ethnic backgrounds. I have learned through my years of travel that ethnicity usually matter very little to everyday folk and only becomes important when rulers become involved.
waldodessa
What a beautiful place!