to cry by kracker

Poser • (none) • posted on Oct 20, 2002

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Description

To bothered to cry To self infatuated with hate to even care To dead inside to see what's outside Falling down.. Hitting the bottom hard Looking to the side watching my blood fall out of me Watching it surround me like a snake It's getting cold, so cold that my breath leaves marks in the air Is this the end? WHAT HAVE I DONE!? Why did i jump WHY DID I DO THIS TO MYSELF I can see my own tears from my own eyes fall to the floor, and dissapear like i've never had them in the first place I watch everything falling down I can see it hitting, making a incredible noise My ears fill with my own screams WHY DID I JUMP, HOW COULD I OF DONE THIS TO MYSELF Why did I do this to myself Why did I let myself die inside

Comments (8)

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Vali

2:28AM | Sun, 20 October 2002

Great composition and I love the lines you wrote under !

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Olivier

2:59AM | Sun, 20 October 2002

This is very touching and poetic. You made a very good job on the textures. The pose and the expression really illustrate the text above! Great!

ExplodingBoY

3:34AM | Sun, 20 October 2002

yes i would have to agree! this is wonderful work!i love the eye brows

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luciferino

6:16AM | Sun, 20 October 2002

Extraoridnary effect real well done!!! Great!!! bye bye Ori

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nawtyangel

9:20AM | Sun, 20 October 2002

A dagger...cutting deep. The words, the image, the combination of the two...GREAT JOB!

Lredridinghood

4:44PM | Thu, 24 October 2002

Sounds like you have found the words you needed! Goes great with the image.

tuerda

3:54PM | Fri, 25 October 2002

I have finally decided what it is about your images that makes me pee my pants: It's not the type of pictures you make, as many dark and evil psychopaths do similar things. It's not the simplicity or loneliness of the characters, although this is a factor, I can't really say that it determines anything. It's not even the grotesque feeling of pain that they allways convey. It's the technique. It's the fact that these images look so real that I could walk in and touch them. It's the fact that you mix impossibly grotesque situations of torture (that actually could happen, just that the characters wouldn't be so alive) with a feeling immediacy that can only be produced by realism. Your power comes from the fact that your images protray the evil that lies behind them with a "truth" that could't be seen even in photographs. This is why you are, by far, the best artist at renderosity.

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Synapse

6:45AM | Sat, 26 October 2002

I do believe he's right. It's a kind of superrealism which transcends the physical world. It's a truly naked and uncompromising projection of unfocused loathing and despair. Even I can hardly bear to look at this, it's just TOO anguished: and from that standpoint, for me it's a total success.