I enjoy creating artwork in Poser, Photoshop CC, Vue, and DAZ Studio. I also have a passion for photography, and have been actively shooting for many years. I've been using Poser since Version 8, and am also learning my way around DAZ Studio. I've been using Adobe Photoshop since version 4. I also use Vue 10. I frequently use my photos as backgrounds, and composite my 3D figures into them.
I have been creating my web comic / graphic novel "The Girls From T.N.A." since fall of 2009, and have been a member of Renderosity since August 2009. I've made a lot of wonderful friends here, and have been inspired every time I visit!
I will soon have a more complete biography, as I am updating everything. In the meantime, have a look around my gallery!
Thanks!
Rod
Hover over top left image to zoom.
Click anywhere to exit.
This site uses cookies to deliver the best experience. Our own cookies make user accounts and other features possible. Third-party cookies are used to display relevant ads and to analyze how Renderosity is used. By using our site, you acknowledge that you have read and understood our Terms of Service, including our Cookie Policy and our Privacy Policy.
Comments (33)
Savage_dragon
Back for a minute. Had to stop by and see what the girls were up to. Missed ya', buddy. Looks great, as always.
RodS
Miss you, too, sweetie! Hope you feel better soon! Big HUGS and get-well wishes coming your way from T.N.A. Headquarters!
auntietk
Whoa ... sorry to be so late! I haven't been checking in regularly. If you think I've missed something, send me a note and hit me over the head! LOL! I'm on the edge of my seat for the next installment!
SO glad you got the stove replaced and a new breaker in! That electricity stuff ain't nothin' to mess with, ya know what I mean? :P
anahata.c
Well first of all, I haven't followed everything prior, so I'm not as up on the longer storyline as many of your other fans are. But I definitely know most of the characters, and I know something potentially very dangerous is unfolding here with Snowzem. (Does that name have anything in common with Snowden?) And I know this is headed to some heavy stuff down the road. Your storyline of increasing intrigue and suspicion over just what Snowzem is doing with those files, and who's getting them, is gripping. As is the string of dead animals and other bad signs that are building up. You leave us with a solid cliff-hanger, as you often do.
But then I gotta comment on your layout, your visuals, the way you handle text, etc. How the hell do you do this and not lose your mind? When I have projects with more than 2 or 3 elements, I call in sick. (So to speak.) You're managing a TON here. I look at all your screens alone: Man, you gotta go through a lot of photos and charts, etc, to pick the ones that suit each frame or each installment. And such fascinating, full choices! I love the aerial views of airports and roads and inlets. And the more data-oriented ones. (I remember book called "The Visualization of Data," something like that.) And imposing your signs over these photos ("Plum Island something Disease Center"---something like that ((it's blurred)) ). The pipe on the beach, the castle, the DNA-like 3D graphic, or those graphic screens that look like air-controller screens, and the dead animal. You have to do a lot of research for this; or know how to make your way through lots of digital files. And then there are the objects---the boards (I did musical production, so mixing boards come to mind), those great tablet-like screens on the desk, the lamps, that mug "Keep calm and fly a drone"...and then there are the outfits in various angles and lighting, because you have 5 frames and you want to show off the outfits like a fashion designer. Which you do. And all the angles and outfits look great---not a side point by any means!
And the room angles. And the text. I wonder if you ever want to scream at the text bubbles for getting in the way. But they don't---I assume that, after enough time at this art, you know where to place them. (Partial transparency helps a lot too.) You even took the 'thought' bubble---"What in the world??"---and put it behind one of the white wall panes, as if to say that thought isn't strong enough to stand in 'front' of real-like objects.
Great job once again. I know you're telling a story, but I can't see these and not be pulled in by the opulence of detail, each piece so well worked out. Love it. I WILL read earlier chapters one of these days; The last several weeks didn't allow that. (In addition to a month long computer meltdown, I had another ID theft---sounds familiar to you, doesn't it?---and other things.) I'm glad your life is settling more, and I hope it gets a lot easier as the season wears on...