Wed, Nov 6, 5:38 AM CST

Telephone poles - with variations

Photography Abstract posted on Jul 21, 2016
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Description


Captured 7/11/16 @ 8:02 am, about a mile from home. Original on top, just for the record. A ZOOM would be to your benefit.

Comments (6)


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Cyve

4:24PM | Thu, 21 July 2016

Absolutely fabulous... Fantastic manipulations and very great results !!!

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UteBigSmile

2:09AM | Fri, 22 July 2016

Cool capture, love the different colors here a lot!

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Wolfenshire

2:27AM | Fri, 22 July 2016

I like the first one.

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MrsRatbag

6:15PM | Sat, 23 July 2016

I LOVE all of these, but that last one really grabs me. Superb work! These are really artistic to the max, my friend!

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racolt33

11:38AM | Sun, 24 July 2016

Very creative variations of the power lines. It makes one wonder what energy actually spews of these lines which cannot be seen with the human eye. Literally an excellent capture. We see less and less of these every day. Good job!

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anahata.c

11:10PM | Wed, 03 August 2016

Your working with metallic hues again, but this time, fewer per image (at least with the exception of number 3). The top shot is a melancholy brooding capture, where you made silhouettes of the lines and poles; and they stand against that brooding sky with a sinister presence. The second illustrates what your son talks about---the energies that boom from these things, which we don't ever see: Really well done! The 3d is the most 'psychedelic' of the bunch, with ghost images and a deep rainbow effect. The 4th is borgeous---Harry, that's what I typed the first time: I obviously meant "gorgeous"; but, see, I make about 6 such mistakes in my first draft of every comment, esp in a place like your gallery (because I devote a lot of time to your work); because I'm looking at the art the whole time I'm typing, so I have to edit each comment for mistakes, and that adds another 3 minutes to each comment: which is why it takes me so freaking long. I wish I could do this quickly, believe me! Anyway, the 4th is in such powerful silvers, and the lights emanating from the upper left corner make it apocalyptic; with plenty of flare (and an almost molded "rolling texture" to the light). And the last---Denise's favorite---is wonderfully 'shaken', with lots of ghost images and the feeling of a still from a 30's film, evoking the skewed atmosphere of city or industrial park. Love the gold-rusts, and the strong yellow light in various places. A terrific montage, Harry, each one as vivid as the last.


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