Stoneage Axes by helanker
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Description
Mark (anahata.c) suggested I should post these Stoneage Axes from from the time, when I was drawing for the Local Museum. I have been drawing about 100 axes, like these. This is 3 Axes seen from both sides. It gave me such a good routine and experince to draw every day and I loved every minut :) Sorry for the quality. Had an accident when I resize them years back. Wrong settings :(
Have a beautiful day new week. It is cold here but we have beautiful sunshine. I am back for a while.
Comments (8)
durleybeachbum
Wow, Helle, you are such an excellent draughtswoman! These are brilliant, I should like to see more.
helanker
Thanks, Andrea. I have only a few more, as the didnt let me take my own drawing home to scan them. They were afraid something should happen to them.. LOL! I never thought anybody would treasure my humble drawings. but they did. (I took a few home for scanning, when the boss had vacation)
kgb224
Outstanding work Helle. God bless.
goodoleboy
Superb representation of the splendidly articulated stone age axes, Helle. Glad you're back, for at least a while. You are an excellent draftswoman.
jocko500
did wonderful work
RodS Online Now!
These look great, Helle! That must have been a fascinating job, working with a museum. Superb artwork, my friend!
I'm starting to get inspired to pick up a pencil again - when I have time...
auntietk
I'm glad Mark talked you into posting these! More would be good. 😀
anahata.c
I'm with the above, and I'm glad I inspired you to post these. I'm sorry I didn't comment when you posted them, but you knew how I felt. (This was the point time when my flu was at its peak. I felt the way these arrows felt---stone, carved up, and belonging in a museum display case.) I gotta tell you, I never handled curves and gullies the way you did. Never. You got the cuts and curves and gouges of these pieces of stone beautifully. Some of these look like obsidian---I doubt they are, but your drawing makes them look that way, with the glassy surfaces and the beautiful perfect curves. You tackled all kinds of shapes and surfaces. And I like that you showed front and back of each (as I assume the museum wanted you to). Shows the less treated stone next to the heavily carved version. On the bottom right, we see the pure curves on the right-most drawing: And we can see how, with few lines, you turn mere lines into genuine recesses and shadows. These are marvelously detailed, whether dark or light; and each drawing has its own presence. It has a presence. It stands there and speaks to us directly. I'm so glad you still have some to show. This is wonderful work to see, and it's a great foundation for your art. I'm with Andrea 100%.