You've done a number of pieces with these futuristic models and their futuristic outfits (part metal, part lights, part space-age plastics). You do them so well; this woman seems human but also robotic; she has a skin tone that's both flesh-like and plastic. And the lines which connect her parts are real, but one can also overlook them. You have her in a pose like she's balancing on rocks as she walks (love the back and forth curves of her body, showing a person trying to balance as they come forward). The surrounding is like a painting---moreso than what you often do for backgrounds---which makes it seem enchanted and unreal at the same time. And you've compose the arch of that tree to move perfectly from her arm to her head (upper center), and used a bright peach tone mixed with blues and grays and so on...More magic, and it's beautifully lit, Dee, with a real feeling that this woman is both home and not. You articulate your visions with such care...