Thu, Nov 21, 1:16 PM CST

* wading through Winter *

Photography Backgrounds posted on Jan 19, 2018
Open full image in new tab Zoom on image
Close

Hover over top left image to zoom.
Click anywhere to exit.


Members remain the original copyright holder in all their materials here at Renderosity. Use of any of their material inconsistent with the terms and conditions set forth is prohibited and is considered an infringement of the copyrights of the respective holders unless specially stated otherwise.

Description


A Winter's Tale by Dylan Thomas It is a winter's tale That the snow blind twilight ferries over the lakes And floating fields from the farm in the cup of the vales, Gliding windless through the hand folded flakes, The pale breath of cattle at the stealthy sail. https://www.poemhunter.com/poem/a-winter-s-tale/ And the stars falling cold, And the smell of hay in the snow, and the far owl Warning among the folds, and the frozen hold Flocked with the sheep white smoke of the farm house cowl In the river wended vales where the tale was told. Once when the world turned old On a star of faith pure as the drifting bread, As the food and flames of the snow, a man unrolled The scrolls of fire that burned in his heart and head, Torn and alone in a farm house in a fold Of fields. And burning then In his firelit island ringed by the winged snow And the dung hills white as wool and the hen Roosts sleeping chill till the flame of the cock crow Combs through the mantled yards and the morning men Stumble out with their spades, The cattle stirring, the mousing cat stepping shy, The puffed birds hopping and hunting, the milkmaids Gentle in their clogs over the fallen sky, And all the woken farm at its white trades, He knelt, he wept, he prayed, By the spit and the black pot in the log bright light And the cup and the cut bread in the dancing shade, In the muffled house, in the quick of night, At the point of love, forsaken and afraid. He knelt on the cold stones, He wept form the crest of grief, he prayed to the veiled sky May his hunger go howling on bare white bones Past the statues of the stables and the sky roofed sties And the duck pond glass and the blinding byres alone Into the home of prayers And fires where he should prowl down the cloud Of his snow blind love and rush in the white lairs. His naked need struck him howling and bowed Though no sound flowed down the hand folded air But only the wind strung Hunger of birds in the fields of the bread of water, tossed In high corn and the harvest melting on their tongues. And his nameless need bound him burning and lost When cold as snow he should run the wended vales among The rivers mouthed in night, And drown in the drifts of his need, and lie curled caught In the always desiring centre of the white Inhuman cradle and the bride bed forever sought By the believer lost and the hurled outcast of light. Deliver him, he cried, By losing him all in love, and cast his need Alone and naked in the engulfing bride, Never to flourish in the fields of the white seed Or flower under the time dying flesh astride. Listen. The minstrels sing In the departed villages. The nightingale, Dust in the buried wood, flies on the grains of her wings And spells on the winds of the dead his winter's tale. The voice of the dust of water from the withered spring Is telling. The wizened Stream with bells and baying water bounds. The dew rings On the gristed leaves and the long gone glistening Parish of snow. The carved mouths in the rock are wind swept strings. Time sings through the intricately dead snow drop. Listen. It was a hand or sound In the long ago land that glided the dark door wide And there outside on the bread of the ground A she bird rose and rayed like a burning bride. A she bird dawned, and her breast with snow and scarlet downed. Look. And the dancers move On the departed, snow bushed green, wanton in moon light As a dust of pigeons. Exulting, the grave hooved Horses, centaur dead, turn and tread the drenched white Paddocks in the farms of birds. The dead oak walks for love. The carved limbs in the rock Leap, as to trumpets. Calligraphy of the old Leaves is dancing. Lines of age on the stones weave in a flock. And the harp shaped voice of the water's dust plucks in a fold Of fields. For love, the long ago she bird rises. Look. And the wild wings were raised Above her folded head, and the soft feathered voice Was flying through the house as though the she bird praised And all the elements of the slow fall rejoiced That a man knelt alone in the cup of the vales, In the mantle and calm, By the spit and the black pot in the log bright light. And the sky of birds in the plumed voice charmed Him up and he ran like a wind after the kindling flight Past the blind barns and byres of the windless farm. In the poles of the year When black birds died like priests in the cloaked hedge row And over the cloth of counties the far hills rode near, Under the one leaved trees ran a scarecrow of snow And fast through the drifts of the thickets antlered like deer, Rags and prayers down the knee- Deep hillocks and loud on the numbed lakes, All night lost and long wading in the wake of the she- Bird through the times and lands and tribes of the slow flakes. Listen and look where she sails the goose plucked sea, The sky, the bird, the bride, The cloud, the need, the planted stars, the joy beyond The fields of seed and the time dying flesh astride, The heavens, the heaven, the grave, the burning font. In the far ago land the door of his death glided wide, And the bird descended. On a bread white hill over the cupped farm And the lakes and floating fields and the river wended Vales where he prayed to come to the last harm And the home of prayers and fires, the tale ended. The dancing perishes On the white, no longer growing green, and, minstrel dead, The singing breaks in the snow shoed villages of wishes That once cut the figures of birds on the deep bread And over the glazed lakes skated the shapes of fishes Flying. The rite is shorn Of nightingale and centaur dead horse. The springs wither Back. Lines of age sleep on the stones till trumpeting dawn. Exultation lies down. Time buries the spring weather That belled and bounded with the fossil and the dew reborn. For the bird lay bedded In a choir of wings, as though she slept or died, And the wings glided wide and he was hymned and wedded, And through the thighs of the engulfing bride, The woman breasted and the heaven headed Bird, he was brought low, Burning in the bride bed of love, in the whirl- Pool at the wanting centre, in the folds Of paradise, in the spun bud of the world. And she rose with him flowering in her melting snow.

Comments (6)


)

Jean_C

10:40AM | Fri, 19 January 2018

Superb graphism of the snow, nice capture!

calico_jester

9:42PM | Tue, 23 January 2018

Winter light seems more appreciated than a brighter Summer

jan18 (5).JPG
)

bakapo

12:35PM | Fri, 19 January 2018

a nice photo, the sun looks warm.

)

RodS Online Now!

5:28PM | Fri, 19 January 2018

Wonderful photo, and prose - a perfect match!

)

calico_jester

8:09PM | Tue, 23 January 2018

Thx for viewing, and I appreciate your creative posts... I am adding another view, with a couple of smaller pieces added for my new plant room.

jan18 (9).JPG

)

anitalee

10:33PM | Mon, 29 January 2018

Excellent

)

anahata.c

4:10AM | Sat, 03 February 2018

In my too-limited experiences in your gallery, I can see that you'll often take a place, some objects, etc, and show them in different lights, different views, etc. And you seem to never exhaust the possibilities of how to see them. This place is familiar to your viewers, yet you've made it wholly new by your angle, the shadow on the statue, or the wide sudden blossoming of the ground outside your window. And that pattern of snow as it "beads up" on the (I assume) icy surface is wonderfully rich. It appears like an infinite pattern across the ground (even though it does come to an end, in actuality). A very rich image. Finally, your greenish tint---with a dab of yellow in it---gives this a very reflective interior feeling, doused in restful shadow. Beautifully done. And, while I don't have time to even come close to responding to the DThomas, it is teeming with his rich overlapping imagery, his apocalyptic sensibilities flowing right through the simplest moments, his music everywhere ("Past the statues of the stables and the sky roofed sties/And the duck pond glass and the blinding byres alone"---just 2 lines, not even the most powerful here, and still his alliterations (("st"s)), "blinding byres" ((alliter. and assonance)) just take his reader into whole ballets of music). And his wonderful imagery straight from the soul, "Never to flourish in the fields of the white seed/Or flower under the time dying flesh astride," the way he sees, in the simplest moment or sight, a confluence of all ages and life and death, and he does it with a flick of the wrist, and moves on, leaving his reader with mental notes to go back many times, to absorb the nectars of his line; and his never-ending sense of transcendence woven in even the simplest journeys---it makes one wonder what transcendent journeys lie hidden in your modest gentle image...


1 40 1

Photograph Details
F Numberf/3.0
MakeDV 4100M
ModelDV 4100M
Shutter Speed299992/24000000
ISO Speed100
Focal Length9

00
Days
:
10
Hrs
:
43
Mins
:
48
Secs
Premier Release Product
Convention Centre for DAZ
3D Models
Top-Selling Vendor Sale Item
$22.00 USD 50% Off
$11.00 USD

Privacy Notice

This site uses cookies to deliver the best experience. Our own cookies make user accounts and other features possible. Third-party cookies are used to display relevant ads and to analyze how Renderosity is used. By using our site, you acknowledge that you have read and understood our Terms of Service, including our Cookie Policy and our Privacy Policy.