BIO
My real name is Lars, and I live in Denmark. All my life I've been drawing and making pictures, occationally as a "professional" but always with an amateur ("for the love of it") approach.Being a proficient airbrush artist, the jump to computer graphics (Photoshop, Painter) wasn't all that hard for me, it was just a question of understanding how to employ the techniques to this new medium.
In july -02 I dug into the world of 3D rendering for the first time, in Bryce 5. A truly fascinating experience! My computer has been rendering ever since ;o)At the beginning I thought I'd be making lots of sci-fi stuff, but something happened right back from the early Bryce days: I started to look at trees and nature, the sky etc. in a new manner, or more intensely at least. I've always been a big fan of beautiful landscapes, and instead of sci-fi, I began a "quest" for 3D landscaping and beliveable environments.
Over the years, the 3D rendering has more or less taken over my creative endeavours. Vue became my application of choice from the start of 2003, with Poser, XFrog and Onyxtree as auxilliary programs. Plus a whole arsenal of new and ancient freeware, to be mentioned are Bantam3D Grass and Plantstudio.
- Lars Braad Andersen, 2010
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Comments (6)
Vege-Mite
Outstanding work. You are a true artist. -)
Ken _Gilliland
excellent work
miwi
ACue
Wow. A little masterwork. I love it.
Shayr
Very well done!!!!
Turin_Returns
Wonderful work. I have always said, you can tell a great digital artist who comes from a background of traditional art. I am of the opinion that this is superior to your digital art, as none of it has been generated by anything else but your own skill. The delicacy of the webs on the twig is wonderful. The out-of-focus effect, produced by the airbrush is spectacular. I saw this technique for the first time in an art book by the artist Tim White, and I have always wanted to try the medium for myself. Alas, there is only one life to pursue one's skills and I am not even accomplished in those I profess to be 'mine'. The shading on the bird and twig and reflectivity on the eye make the image 'pop' and gives it dimensionality.