Hello everyone!
I've played with computer-assisted imagery for as long as I've had a scanner and a copy of Paint Shop Pro (which, in those days, was before Corel bought out JASC). I used to regularly participate in contests on a well-known Photoshop site and my images tended to place very well. I also used to create graphics for various DOOM levels. But until 2013, the only realistic CGI-specific software I used was Terragen, and I used that mainly to create more pleasing skies to replace dull skies that ruined otherwise good photographs.
The artwork you see in my gallery is all current, and created in DAZ Studio. My usual post-processing tools nowadays are Wingnut's Lo-Fi and GIMP. I use Lo-Fi mainly for the film textures, and GIMP for all other work. I'm the only person I know who continues to use Lo-Fi, and one of the few worldwide who still use it at all, but I love that basic little program too much to upgrade to one of Alien Skin's current products. When I need custom textures I use either Genetica or Filter Forge.
Most of my images fall within fantasy or sci-fi genres, with a bit of humor wherever possible. I am a guitarist, and often include musical references in my visuals. I deliberately try to include ambiguity in my narrative images to intrigue you so that you can decide what will happen next in the scene. I think it's fun for you to think about what might happen next and resolve the suspense for yourself. I'm a hobbyist, not a trained artist, and I am grateful that I've met many people along the way who have much more talent than I do, but who were kind enough to point me in the right direction and encourage me to improve.
My favorite artists are probably on almost everyone's list here - Frazetta, the Brothers Hildebrandt, Alex Ross, Norman Rockwell, Hajime Sorayama, Rembrandt, Bouguereau, Guayasamin, James Gurney, Max Ernst, and Bosch. I love Ray Harryhausen's creature designs, particularly that Cyclops from Seventh Voyage of Sinbad, and the visual look of Ridley Scott's movies, particularly Blade Runner and Alien.
Thank you for looking at my artwork, and I hope you liked what you saw!
Comments (9)
thekingtut
She really needs to be in front of the camera.
zaqxsw
She really should be!
pregiato
Outstanding!!
skyvendik
well done
crender
Amazing !!!!!
goodoleboy
Outstanding color and lighting effects in this rendition of the loverly blonde and what appears to be an obsolete motion picture camera. Incidentally, You Ought to Be in Pictures is a 1940 Warner Bros. Looney Tunes short film featuring Porky Pig and Daffy Duck.
mightymysterio
I probably saw that old cartoon years and years ago. I've seen so many I can't keep them straight anymore. Those old Warners cartoons were absolutely amazing pieces of comedy, not just animation. Was that one that Frank Tashlin directed or Bob Clampett?
rajib
Well, she can be on both sides of it :). The postwork does make it look like view from an old camera.
mightymysterio
Thank you, everyone, for your thoughts and comments. Much appreciated!
deshlab.td
Very nice job my friend.