Jim Tetlow
Born 1974, UK
I like ambiguity in art. Uncertainty. What has to conform to the limits of our reality? Metal, glass and flesh can merge seamlessly, as if the surreal worlds and the life forms within are one and the same, and yet at odds sometimes. I rarely seek to endow my works with any "message". I am more interested in people's personal responses.
I'm a multimedia artist working in fine art (including sculpture), digital art, graphic design and various forms inbetween, also illustrating book covers and numerous CD covers. I also work in musical soundscaping, both solo and in group projects, of which there are many releases. I'd like to say a big thanks to everyone here who has supported me in my work and beyond since I began posting in June 2001. Too many to mention, you all know who you are... I'm meeting very special people here :-)
Update 01-08-05: I've been given a 4 page feature article in Issue 3 of the new media magazine Contour based in Atlanta, Georgia. The images printed very well and they did me proud.
Update 21-03-06: I've been spending the last 6 months living in New South Wales, Australia. Inspiring place! Also in the process of illustrating the book covers for a series of Japanese books called Hikishio no Toki (Time of the Ebb Tide) by Mayumura Taku - to date I've completed the first two of the five volumes. I've recently been returning to traditional media as well as producing the usual digital art, and contributed a sculptural canvas to a recent local exhibition. Link: Saatchi Gallery webspace
Update 09-01-21: I hadn't even logged in for some years. It's weird nipping back here after not even posting for 13 years, like revisiting your old school incognito. As I'm not active here anymore I wonder if anyone will even see this again besides me.
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Comments (4)
qaryon
EXCELLENT
Heart'Song
To me - it definitely worked. It's pure, in a way I don't often see. And I find it riveting - there's a sort of insistence about it that doesn't let up.
Synapse
This is not typical of me... in fact it was exactly this kind of loose uncensored free approach that my art teachers kept trying to get me to adopt a whole decade ago, but at that time I was obsessed with smoothing everything down and refining it. Think I drove them nuts... but screw them... too often art teachers try to impose too many of their own personal sensibilities onto their students. To paraphrase CJ, I didn't get where I am today by listening to art teachers :-)
gallimel
It might be Miles's blessing influence, I don't know.. but knowing him, his music, that song.. this seems pretty much floodin directly outr from the notes he created. As warm, as touchy, as immediately deep. Wonderful work.