Monica Symms and HAR-V by mapps
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Description
Monica Symms Channel 17 News
Normal Human
Natural Talent: Etiquette, Interrogation, Rumor-Black Market, Rumor-Corporate, Rumor-Law, Rumor-Street, Rumor-Transport, TV/Video Production
HAR-V (Harvey) Camera Man / Hover Drone
Her faithful "camera man" is HAR-V (Hover Armored Reconnaissance, Drone #5), who she has named Harvey. Harvey has had several modifications, including combat software and several weapons. Monica has always been a run into the thick of it kind of gal. She has reported on numerous different conflicts from right in the middle of it. These have varied from shoot outs with the police to civil wars. Despite her young age she has seen a great deal of combat having spent most of her career in the trenches. Monica uses Goggles with her microphone built in, with an uplink to Harvey for reporting. She has found it to be helpful to keep her hands free incase she needs to grab the rifle she has hidden in Harvey's secret compartment. This way she can fight and keep reporting with out missing a thing.
Drone by Uzilite Liquid Halo - From DAZ
Comments (9)
ontar1
Fantastic scene and characters!
MajinBoo Online Now!
I like her look at practical way of thinking. A lot of reporter characters tend to put themselves in danger with no way out when things get hairy. Where as Monica with Harvey seem ready to not only to report the news but they also have the means to make sure their not reporting their last news story.
bakapo
she sounds as safe as she can be. she's a great character and her robo-reporter-cameraman is fantastic.
lwperkins
That is one badass reporter! Harvey is cool--pretty cute for an armored droid!
DRAKELOT
Xcellent Mike 👍👍👍
Richardphotos
she is a dish! very beautiful and a cute bot
shadownet
Har V (wallbanger?) I think he's been hitting the bottle (and obviously the wall) again. :D
mapps
his nose does look rather red :-)
anitalee
Excellent
tallpindo
I have followed the lady anchors now since the 80's. The weather girls and traffic reporters no longer fly in helicopters and the field reporters eventually make it into the studio where the crew learns how to light faces framed and shadowed by exotic hair dos.