I enjoy creating artwork in Poser, Photoshop CC, Vue, and DAZ Studio. I also have a passion for photography, and have been actively shooting for many years. I've been using Poser since Version 8, and am also learning my way around DAZ Studio. I've been using Adobe Photoshop since version 4. I also use Vue 10. I frequently use my photos as backgrounds, and composite my 3D figures into them.
I have been creating my web comic / graphic novel "The Girls From T.N.A." since fall of 2009, and have been a member of Renderosity since August 2009. I've made a lot of wonderful friends here, and have been inspired every time I visit!
I will soon have a more complete biography, as I am updating everything. In the meantime, have a look around my gallery!
Thanks!
Rod
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Comments (33)
renecyberdoc
awesome bro -as soon as i saw the creepy thug i knew we are back in the nasty-real world lol.
misty7j3
Cool images and story lines Rod!! I likey!!
anahata.c
Well a real NYC episode, with a street heist to boot. I like that the women jump to the rescue. (I've already read the next installment and know that they succeed---although they didn't have to do much, lol.) I don't remember all the details going back many installments, but somehow I get a feeling I've either seen this guy before, or he's going to have a role in the stories. There's just something about him that feels like he's going to be present one way or the other, but I could be wrong...
Great outfits once more, and more great angles, seating, spread around the table, etc. Each frame makes a solo of each woman, in very sexy ways, even though they're in a group. As always they look great. As for NY delis, I ate at in a ton of them in the 70s and 80s, and yeah, they're all they're cracked up to be. (Ask me about Ratner's sometime---they had waiters in their 80s, who were the rudest waiters I've ever known, and you could go there are 3 in the morning for the heaviest lox and eggs in the world, and catch conversation on everything from politics to the end of the world, while the waiters barked at you and you ate food that took and act of Congress to digest.) Anyway, lots of color and variety in the first frame---I don't know if you do this consciously or just intuitively, but you get lots of color, texture, variety, etc, in your frames, along with your model-like women. They're all a pleasure to look at.
The street scene w/ Ella (I've read ahead) has her walking out of the shadow (w/ a fascinating turn in the background, and very colorful rail, bridge, whatever that is), and futuristic cars, etc; and the robbery is fast, and the guy gets loose with those luminous green-blue pants (which stand out). (Ella's top does too---as does Ella---with hair to match her blouse.)
The ladies are outa there in a jiff, and I love that Kinnie wants to fly, but G and Ar warn her it's not quite the right thing to do in the Big Apple. (how true! N.Yorkers would probably yawn, then throw something at her.) Great image of the 3 taking off, I expect the guy to just offer the purse and stare. Love the outfits, love the colors, love the multi colored chairs too. That's quite a jump suit on Ar, and the others look like models too---ready to catch someone at the drop of a hat. (I take it these 3 don't have a lot of 'down' time, because they're always being called upon.) Your frames are so visually interesting, I love looking at them. It's apparent you put real time into these installments. Now to the last one (as of this sitting)...