Learning dynamic clothing (Geisha and Peafolk) by aqua1955
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Description
I often pass the dynamic clothing, but wanted to give it a try once more with the Geisha dress made by Lilflame and Sveva with textures from OOT, Styles for Dynamic Sakura Kimono. I got the dress and textures, but still think I could get the dress a little more Dynamic on the ground.
Placing this image is a question to all those who know how to get the best results in Dynamic dressing.
In the past I worked with the Angeloi gown from Arki and found my way with a great tutorial.
Although there is a small tutorial inside the file by Lilflame, I hope someone could/would help a little.
It seems t me that all tutorials for Dynamics work a little different.
Working with Poser11.3
Hardware: Intel I5 3,4Ghz 32GB DDR3 1600Mhz NVidia Geforce RTX 2060 super
Comments (11)
eekdog Online Now!
Nicely done oriental image, love the outfit and peacock.
Jean_C
It's been so long since I've used Poser .... and the products are different now! It is sure that the dynamic clothing could be more flexible, but your image is very beautiful with this lovely geisha and these superb birds!
aqua1955
The birds are from Hivewire (peafolk and the textures of them) i looked at a lot of tutorials, because Dynamic seems to work diffrent from one to another. In this case I had to find a standing pose, because otherwise the dress did not do what I wanted. Curling it up would have made, that it had been real dynamic is the pose.
miwi
Beautiful image,wonderful scene!!!!!!!!!!!!!!
perpetualrevision
Lovely scene! Re: dynamic cloth: it looks to me like the fabric settings need some adjustment so that it doesn't bend/fold quite so easily. You might also try using a ground prop with more "interest" in its surface (like a cobblestone path). But your best bet is to play with the pose you use at the start of the simulation as well as at the end, to get more of sense of the clothing flowing along as the figure moves. The only way the skirt would lay in a completely flat circle around the wearer is if she put it on right in that spot and never moved!
I would probably pick a pair of dance poses for the start and end of the simulation. For the start pose, something simple with her legs straight and feet on floor. And for the end pose, something that twists her torso a bit and perhaps raises a leg (with knee bent), and I'd move her a foot or so to the right of where she started. Then run the calculation and see how the dress drapes. The thing about dynamic cloth is that it's meant to respond to the figure's movement in a way that's hard to achieve with conformed clothing, even if your end goal is a static render and not animation. Hope that helps somewhat!
aqua1955
I agree with those cobble stones. But where it is done is the skirt of the dress. There it is all flatten and does not feel good. In between I looked to some other meanings concerned to Dynamic. I worked in the past with Angeloi and that had a Dynamic skirt the way I wanted to do it. This failed for one or the other reason.
mazzam Online Now!
Nice image. The key is practice, practice. Once you get the hang of it you might find that using dynamic is quicker than fixing poke throughs in conforming clothing. And don't avoid the more interesting poses. That is where dynamic comes into its own. There are lots of variations. I usually apply both pose and morphs at frame 20 of a 30 frame simulation. The recent tutorials are fine. Don't hesitate to follow the suggestions there. And have fun.
aqua1955
Thank you for the reply and I know that practice makes it all a lot easier. Stil a lot Dynamics are different to use in a proper way.
Tracesl
excellent
rbowen
Beautiful work!
mermaid
A beautiful exotic render :) For the questions I can not be of any help, as I have no experience there :)
mapps
Amazing :-)
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aqua1955
Thanks for all the comments