The lighting here is particularly effective, and like the way the easels have become abstracted, almost as if they are part of the structure of the mine/elevator shaft

Thank you so much. In this sequence, the easels are presented negatively as warlike obstacles, conducive to causing the fall, rather than advancing the process of creation. In this scene, they seem to multiply the lateral vanishing points, while reinforcing the deep one of the elevator shaft, thus accentuating a visual idea of chaos. the easel in the foreground has a dual function: while participating in the fall of the young woman, it protects her body from the eyes, which has become weakened because it has lost, in large part, the outfit that protected it.

Your image is truly wonderfully done!

Thank you very much

excellent

Thank you very much

Au diable les chevalets, au fond! Même dans mes "peintures/volumes", je n'ai jamais utilisé de chevalet, na!

je n'en ai utilisé que très rarement aussi, j'avais plutôt une pratique de l'installation et de modèles réduits, avant de plonger dans l'imagerie par ordinateur

Another evocative moment in her rather tumultuous dreamscape!

It is the climax of the fall towards the deepest layer of dreams: limbo. Thank you very much for all your comments.

Thank you so much dear friend, for this amazingly beautiful dedication......love it very much.....greetings Adrie.

On est souvent tributaire de l’accident, de inattendu, du hasard, et de nos maladresses...cela permet parfois de nous améliorer, parfois...

L'entropie est une notion à laquelle on pense rarement, pourtant quoi qu'on fasse, ce qui fait notre environnement de vie est voué à retourner au désordre, à l'imprévisible ...