From a strip poker to a trip higher III by marcopol
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Description
After Johannes Natus.
After climbing with pins, it's time for the descent. The contemplation of paintings presenting card players suggested to me a kind of slide which would materialize the trajectory of the card held in the raised hand until it is placed on the gaming table. This time the allegorical model of the viewer is initially jostled, and exposed in her inability to appreciate the vision of the paintings. Many genre scenes featuring card players show ambiguous relationships between men and women, some based on domination, at least through the gaze. After the pivot point of the fall, I propose the reconstruction of another look articulated to an evolution in the choice of paintings. As before, several evolutionary processes punctuate this sequence of 20 images; To you to discover them.
Thank you for the view and your comments.
Comments (2)
Tracesl
excellent
marcopol
Thank you very much
MollyFootman
More clothing off of our contemporary lady as the background picture features more card players. Although I found many versions of the painting by Johannes Natus from the background, I couldn't find one that I could sufficiently enlarge to really enjoy. I noticed that was not the only picture he did with card players. =)
Molly
marcopol
In fact in Johannes Natus' tableau, there are only 2 card players and a standing observer. I chose this scene because one of the players has a very dynamic gesture: he puts down his card. It's a kind of counterpoint to the raised hands of the woman who slides, as much as the gesture of playing is mastered, the latter seems less to control her slide. The growing eroticism of the series is constructed at her expense (she loses at the game): I placed her buttocks close to the Ace of Hearts, in a suggestive manner.