Nice work as always! Details like the glass fracturing as the explosion happens just outside the windows,... Good stuff! Thanks for allowing Bunni to continue as a supporting actress in the Best Female Action-Adventure Series on Renderosity.

"As alwayss, it'ss a pleassurre worrking with you, Rrod!"

Actually it goes off just inside the window... But thanks for noticing! It was "interesting" getting that window to look broken!

Good Stuff Rod !

Fantastic work!

Awesome work you did here. oh, someone is going to pay for this... and soon! can't wait!!!

Very nice, worth the long wait

Simply fantastic! No more words, great story 👍🙋‍♂️

Nice work, Rod !!!

Cool page.

Nicely done Rod! Hope you get your Daz Studio up ans running, then those girls will jump off the page! Literally! Nice work and plot Sir!

wowsers! a most incredible page in the series Rod. each panel is thrilling always. love the last panel most.

Great stuff as usual! Hope the girls are okay.

Cool work, Rod

Good work!

Outstanding chapter!

Bounds have been overstepped. Payback time it is.

Hi, very action packed. Guns and hot girls win :)

Greets Stormrider75

OK, somebody's going to be in big trouble — I hope. Fine work as always!

Things went down hill real fast. Did they get out in time?

Great job on keeping the excitement going Rod, the girls have their hands full at the moment...now it's time to find out who was behind this explosion! :-)

The plot thickens...

Excellent

Amazing render, very interesting story and outstanding effects especially right at the end. Super job!

As always, great art and great narrative... and proper cliffhanger to boot. Top notch.

Wow, there's so much going on here at RR that I don't even know about!

Terrific creation Rod...this is great!...Oh except, I don't think I've ever been on a 'Wanted' billboard before! Well I laughed! LOL

See you in the Tavern at the weekend. I finished one of the rooms in the hobbit home I built for you. :)

Talk about cliff hanger Rod.... :)

Brilliant as always and as always totally worth the wait :)

Very dramatic chapter with superb illustrations! Bravo! Many fine praises from me!

You pick up where you left off by giving a frame of bunni with your team (ar, k, g4)...gathered in a circle, as they were in their last appearance in p. 47. In other words, continuity...

(that white hair is stunning on bunni...)

I'm so sorry, Rod that once again I don't remember all the references. When I'm here sporadically, i just don't log all the people or events of a serialized story---so the 'Roland Graves' reference escapes me now. Sorry! But I was taken in by this page regardless.

I like that you introduce the characters of this page as out-of-view: They're talking from inside a building. Thus the main character here is the buildings themselves. (And some reference to Nanothect, lol...love that he's on a bilboard overlooking seattle. ((He doesn't know what he's doing there either...)) And I saw the little references to "out for themselves" and "fighting for you". We know where THAT wound up, don't we...(are you looking at the orange one's appointments??? a show host for sec of defense? Madame "kill the dog, who gives a f---" for homeland sec? Steven Miller for chief of staff---that guy's right outa the House Unamerican Activities Committee (ala Roy Cohen and Sen McCarthy). Is this a spoof??? Someone pinch me, I can't believe this!!!) Anyway, I appreciate the little visual jabs and punches and jokes here. There's another billboard but I can't make it out. Oh---and the drone is wayyyy back there...about to cause a problem...

Now we go inside the office, and you create a wonderful panoramic view of the city-through-the-windows. Very impressive! And---I'm dwelling on detail again: Great composition of lots of detail...the angled two-part desk, hunter (right?) on the outside, jodie on the inside, all the lines and rhythms against the hazy background of the city...and the sharp cut of the light on the far left, contrasted with the blacks of the right. And an insert frame (lower right) to move us to the end---with a great view of the office's screens, rectangles (computers, screens, bulletin boards, etc), and the two women lined up in decreasing perspective...that's composition, jack. Love that frame.

And then, the near impact---as they lunge away from the approaching explosion, lunging almost into our space...and then--impact! Lots of fiery reds and yellows, and no speech. You do know how to end with a bang: When you do an explosion or a shot at someone or a collision in the final frame, you make it total, leaving the results for the next installment. Also, you end on a large closeup---I add that you use closeups really well, and they always contrast many of your other frames: Ie, closeups have impact as they're far less common than medium povs.

In full zoom, this packs a punch. These serialized installments are so well-done...

Dang, Mark..... Reading your comments makes me feel like I'm up there with Lucas, Jackson, and even Roddenberry (genuflects when mentioning that name..). I just put the panels together the way I'd like to see them if I was reading the story and not creating it.

And.... Dammit - I really, really, REALLY need to get my 💩 together and get this thing moving again! TNA is my # 1 priority as far as creating is concerned once this little break I'm taking is over.

Well, that and surviving a second dose of Orangina's presidency.. 😬😫🤪