Portrait of visitors from the point of view of the painting IV by marcopol
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Description
After Caspar David Friedrich
The paintings no longer felt like they were being looked at. So, art had exercised its right to withdraw, the canvases had taken a step back, moving away from the edge of their frame, to hide their melancholy in the thickness of the walls. The shadow had covered them, thus deepening their feeling of emptiness. None of the visitors had noticed it. Art had then decided to take matters into its own hands, and to send, in the form of an allegory, one of its best explorers to determine what had changed in the behavior of museum visitors. Taking a photo of them is then literally placing oneself on the border that separates from a cliché. This set of nine moments of shooting constitutes traces of its reports.
Thank you for the view and your comments
#painting #allegory #visitors #museum #explorer
Comments (4)
Gisela
More awesome render Marc.
marcopol Online Now!
Thank you very much dear Gisela
Tracesl
excellent
marcopol Online Now!
Thank you very much
PhthaloBlue
Superb!
marcopol Online Now!
Thank you very much
AmandaT
I love how this mixes the still art with the photography action, this is very done
marcopol Online Now!
Thank you very much. Yes, that's the idea, here I wanted to associate the "monk by the sea" with this spectator upset and helpless in the face of the emotion that overwhelms him. Caspar David Friedrich said something like this: "it's no use wanting to paint the landscape in front of you, if you don't perceive the landscape that is inside you. All the romanticism is there.