I am sort of halfway happy with it, but not quite. I can't think how to sort it. Having fairly recently had to make a 4 hour coach (or do you prefer bus) trip, when used to normally driving myself, I got to wonder how it would have been doing the same trip in the original coaches. I bet they would have been really glad to pull up in front of the coach stop, and it would have looked so welcoming as the sun was setting and candlelight had started to appear through the windows. c&c please.

I love the muddy tracks in the street. The light reminds me of those evenings when the setting sun lights up the underside of a mostly overcast sky. That glow of golden air, then redder, then purple, before dark. Well done!

The whole scene is very monochrome except for the figures and the coach and they seem to be not part of the same scene. Theres always a danger they may blend with the background but if this were mine Id try giving them clothes based around the browns, golds and creams already in the image. As Perrymck says, that`s a wonderful muddy terrain.

Yup. the mud tracks are outstanding. I wonder if the warm haze is what's throwing it out. Maybetry a test with the haze off all together? Just for comparison? Maybe?

Nice work so far,........you know, if you have the time to wait for the render,.....I'll bet this would look great lit with a light dome.

Wow! quite a start. Wonderful. It's a passive, illustrative scene. Every actor in the scene has his or her back to us. In Cinema, such a scene will sometimes be called a set-up scene. Turn the camera around and show us the restless horses, anxious to get to the barn; the weather-warn face and form of the conductor; show us the face of the passengers in such a way that we want to know what they're doing there and what sort of intrigue passed between them on their trip and what might happen overnight, and you engage the viewer. You tell a story. Depends on what you want to do: passive or active; illustrative or narrative. Q PS: I too like the tracks on the road and the light. Wonderful job. Oh! and I don't know why but every Inn I've ever been to has a cocker spaniel. I'm sure it's some sort of conspiracy, hatched by a diabolical mastermind, but you didn't hear that from me..... Really, you didn't...

Great work! But isn't he supposed to throw his cape on the ground for the lady to walk on?