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Photography F.A.Q (Last Updated: 2025 Feb 03 6:38 am)



Subject: Thoughts on Black & White photography


TwoPynts ( ) posted Mon, 10 October 2005 at 2:59 PM ยท edited Sun, 12 January 2025 at 3:40 PM

Attached Link: Back to Basics

An interesting article and a nice, quick read.

Kort Kramer - Kramer Kreations


cynlee ( ) posted Mon, 10 October 2005 at 3:16 PM

i agree it is better to shoot in color mode first then edit to b&w depending on personal preference sometimes it easier for one to see the composition & tones in b&w & in some instances it just brings a natural artistic style & class to an image (being careful not to muddy it by flattening it with a dull range of tone & contrast) have always thought it best to learn the art of photography through b&w before moving into color :] thanks kort


TwoPynts ( ) posted Mon, 10 October 2005 at 3:22 PM

Attached Link: dcMAG

Yer welcome. I agree with you and am glad I learned that way. Been getting by to my roots of late as it were. :) There are more articles and tutorials on photography via the attached link towards the bottom of the page if anyone is interested.

Kort Kramer - Kramer Kreations


Misha883 ( ) posted Mon, 10 October 2005 at 8:51 PM

I generally shoot in color, and convert to B&W in the digital darkroom. Almost the best of both worlds. I say "almost" as B&W film still beats color film or digital in dynamic range. Usually not an issue, however.


RodsArt ( ) posted Mon, 10 October 2005 at 9:40 PM

As with my "Lines Series", I tend to visualize composition first. I'm pretty sure the other genre of CG has been a big influence too. Not to mention the fact that visualizing becomes addictive.(is there such a thing as a head strap?) ;) Great article, Thanks

___
Ockham's razor- It's that simple


tvernuccio ( ) posted Tue, 11 October 2005 at 2:18 AM

nice article, Kort! thanks! when i first started learning photography back in high school, i only shot b/w. i LOVE b/w photography! i shoot in color and then convert to b/w. i LOVE color and want the choice. on the other hand, kemal and i are getting ready to start shooting with an old cam, using b/w film. i can't wait!!! :)


john010766 ( ) posted Tue, 11 October 2005 at 3:41 AM

Heres my thoughts on B&W 1) using a restricted palette, helps because it forces you to think in composition terms (ie form, structure) 2) The few tones available, make you think about the finished image. 3) I use the Ansell Adams Zoning system, (+/- 1 ZONE) Depending on the lighting conditions. 4) the play of light adds complexity and makes you really think about what you trying to achieve. 5) Sometimes, simplicity is easier in black and white, but the tones add greater complexity and helps with the details, esp in low light conditions. 6) When editing, especially in B&W you are forced to think dimensionally, (ie) in that if I alter this? what does that do to the image. 7) For B&W the best thing I have found is to bracket across 2 stops and change the white balance to custom and set at a slightly lower setting, turn off the lighting settings I Use a Canon 350D with various lenses, Always shoot in B&W (basic parameter settings) with either a Polarizer 62mm and 58mm, or UV filter. Anyway thats my thoughts for what they are worth.


TomDart ( ) posted Tue, 11 October 2005 at 7:20 AM

I certainly like well-done grayscale images and find the "muddy ones" boring. Learning to do bw well is not easy, from my experience, because the lack of color leaves the basic stuff of the image to be seen. That "stuff" might not have the tonal value or composition to be appealing when color is desaturated. In my thought, going to bw with an image is like taking off a mask and seeing the real face of it all. I will do mostly color images but with many I do go bw to see if the stuff is there for a nice bw image. If so, then to get the grayscale right and appealing is the work to be done! Some shots cry out for bw.. : ) Agree with john(above) on bracketing. With digital that might be even more important since highlights can be blown and lost easily as can substance in shadow areas.


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