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Poser - OFFICIAL F.A.Q (Last Updated: 2025 Jan 11 12:18 am)



Subject: Would you buy this?


Lunaseas ( ) posted Mon, 08 October 2001 at 1:50 PM ยท edited Sat, 11 January 2025 at 8:37 AM

file_218906.jpg

I'm going to continue making free stuff, but I do need a little extra cash so I've been working on what I'm calling the "Celtic Dreams" textures for the Adventurers' outfit. Would people be interested in a set of three textures, and if so...how much would you be willing to pay?


Lunaseas ( ) posted Mon, 08 October 2001 at 1:52 PM

file_218907.jpg

Here it is for Mike.


SAMS3D ( ) posted Mon, 08 October 2001 at 2:22 PM

Very cool, yes I would


velvetdream2 ( ) posted Mon, 08 October 2001 at 4:55 PM

Awesome colors! Great job


Poppi ( ) posted Mon, 08 October 2001 at 6:16 PM

These are nice....but, I know you have to write the person who made the celtic font, used in the textures for permission to use it....(Found this out on a project of my own....you will get it, but be on the safe side....Dang, don't have the link for that person, either.) Nice stuff.


chechi53 ( ) posted Mon, 08 October 2001 at 8:22 PM

You should do a tuturial on making clothing and texturing! Those are very nice.


Crescent ( ) posted Mon, 08 October 2001 at 8:24 PM

The Vicki one isn't bad, but the Mike one is 60's psychodelic. It's very loud, not very medievalish.


hauksdottir ( ) posted Tue, 09 October 2001 at 1:04 AM

The patterns ought to be in proportion to the garb, and in proper colors. If you go back to the Book of Kells and other period sources, you don't have to worry about copyright; if you are using modern books and scanning in the patterns, you do. Since the garb isn't celtic, but more "fantasy medieval" why don't you take patterns from the 13-1500's and work with them? The colors were richer, too, since they had access to dyes from the far east. Carolly


leather-guy ( ) posted Tue, 09 October 2001 at 3:09 AM

You'd need to resize the designs to get complete designs on each area, the celtish artists were famous for filling areas with designs. They would never chop off a design or just use a cropped partial. That's a 60's (& later)designers trick. The half-circle knot design you use on the male figure, for instance, was used to fill the upper space in a capital "P" in the book of Lindisfarn (Bible) - originally only about 1/4 inch area, drawn by hand. (I do celtic tooling on leather commercially, & I've studied their arts extensively.) :-)) To get more of a real "Celtic" feel to it, study how modern Tribals have celtic tats placed. On the male, you might try to center an oval design on one or both of the thighs (front or side) or biceps, round ones on kneecaps, Circles on pecs, The half-circle you used, centered on the stomach, flat accross the beltline, arcing accross the ribcage. Perhaps a zoomorphic beast panel on each side of the mantle-lacing. Colors would tend more to earthtones. I'd consider deep goldenrod for the forground, & a deep green, or oxblood for the background. A gradient from, perhaps deep green at the top, & red-brown at the bottom might work fairly well, for the background, of the tunic, The textures you've made are very lovely, but the colors, the tie-die affect, & the lostwax White-on-dark effect of the design look more like flower power than celtic might.


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