Forum Moderators: wheatpenny, Wolfenshire
Writers F.A.Q (Last Updated: 2024 Nov 06 3:50 am)
All of the above sound good to me. Please excuse the stupid question of the day but what do you mean by Description, dialogue, characterisation in the Writing exercises comment? I know I should know what you mean but I seem to be having a block at the moment :( All of the above is new to me as I have never participated in anything like this before so my apologies for not suggesting anything.
Description would be something like posting a picture and having people describe the scene. Dialogue could be setting a scenario and having people try writing dialogue for it. Characterization might include writing a paragraph or two from first person point of view to practice showing personalities. My idea is to give people opportunities to concentrate on different aspects of writing and for them to see how other people would handle the same set-up as well. It's easier to try new things when it's an experiment, not a treasured story that's been struggling to emerge.
Chapter 1 deals with ways to get around writers block so that at the end of it you should have a pile of bits and pieces of writing. (this is where the word games and some exercises are) Chapter 2 gets you to sort out what you did in chapter 1. Chapters 3 to 8 help you "to explore and refine this material.". you also get to expand on it and cover: Character, Point of view, Voice, Dialogue, Description and Design. Chapter 9 covers Revision and re-writing and Chapter 10 covers "some guidelines for submitting your piece to a publisher.".
I like all the ideas above... And I'm going to like this forum... The only problem I have: I'm not an English speaker (Italy here)... But I'll be glad to follow how things develops, and maybe I'll partecipate with something simple... (a way to learn after all)... But truly I think I'm going to love this forum!
BellaMorte - I'll have to take a look at the book. Thanks! Writer's block is the one thing I've never had, but the restof the book deals with things I still need practice with. Lyrra - I can do both. I was thinking of setting up a FAQ with common grammar mistakes, among other things. (And everyone is welcome to submit for that!) I'm trying to see what people want from this forum so everyone feels welcome. jgeorge - the one problem with this forum is that it is geared more towards English language writers. If you put a disclaimer on your story submissions that English isn't your first language, I'm sure that everyone would be glad to focus on other issues. If you post in Italian, we'll do our best, but don't be surprised if you get strange feedback. ;-)
I'm really looking for first-hand experiences of people who've been published. All this other stuff is really "prep work." Prep work is great by itself. I don't need much help there. "Getting published" is my goal in this process. I started a dialog in a previous thread, but that died on the vine. Maybe we have many writers, but not many have actually been published?
Mercedes Lackey, in her novel "Jinx High" has a character that is an author, or romance serials ( like Harlequin). she had the character state: there is no such thing as writers block, I can't afford to have it. I put 8 hours a day into work, no matter what is happening in the story. if I am stumped, I plot out other stories until I get a spark to finish the one working on. but I work 8 hours a day, every day. this seems to me to be the best way to break writers block myself, continue writing, but on a different story, sooner or later the inspiration to get the other story will come to you.
Jinx High isn't a Valdemar book. ~g~ but I have read all but Kerowyn's Tale of the Valdemar series. the frustration level of hitting a block and trying to continue on same project gets extremely high, switching to a different project keeps that down, and by not conciously thinking about it you can often get the next piece inspired quicker, the concentration on the blocked project actually can interfere with the inspiration needed getting through. I do tend to have a lot of projects on the works at any one time. get blocked on one switch to another. ~L~ and writing a complete graphics suite for the linux os is a huge project that often has me blocked. oohhh, programming is a form of creative writing, and some of the broblems in creating the final script are completely transferable. ~l~ I should know, one project is a novel also.
Oh... I know Jinx High isn't a Valdemar book :). It was you mantioning the author lol. There is still quite a few of the Valdemar series I haven't read. An accident my huband and I were in left us rather broke. I only got to buy Keeper of the King by Nigel Bennet and P.N. Elrod because it was a hard cover selling for $3.95 :D
Lyrra's suggestion/question (#11) is a good one.
I've had to do technical manuals for GE locomotives (talk about dull!) and we were told to write for an eighth grade level of comprehension. I sometimes carry that mentality over when writing tutorials (it's always difficult how much to cover and how much to assume the reader knows).
As for the "fiction" side, I could really us help with dialogue. My problem seems to come about when I have to switch between characters. I can do all the dialogue for one character but when I have to shift and think like the other character I break my rhythm.
@Jaqui, LOL, writing program code is very much like writing a novel, you need to know how it ends before you write the beginning! (Or else you end up with spaghetti!)
:)
retrocity
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Now that I have my official Helper badge, I'd like to find out what everyone here would like to see in this forum. Please let me know which of these you'd be interested in, and please add any ideas you have as well: *Writing workshops (One writer at a time gets their submission worked over, submitting new drafts over a time frame, say a month.) *Contests (I can't guarantee huge prizes.) *Writing tips *Short critiques on stories *Writing exercises (Practice on a particular aspect of writing, such as description, dialogue, characterization, etc.) *Editing exercises (Take a deliberately rough draft and find ways to improve it.)