Forum Moderators: wheatpenny Forum Coordinators: Anim8dtoon
Photography F.A.Q (Last Updated: 2024 Dec 31 10:42 am)
You hit the nail square on the head with the grad filter comment. With digital it is more sensitive to the highlights than print film is, more like slide film. I would think that Misha can probably explain that better than I can. Other than a grad filter, you can do two things (and this is possibly where people will not agree with all that I say)it is possible to compensate up to 2 stops of under exposure, as there is detail recorded to work with, where as with the blown highlights there is no detail there to work with. Therefore you need to expose for the highlights, to preserve the detail, and then bring up the shadows with post work. What you do will be partly determined by the software that you have to work with. If you have curves you may be able to recover shadows with that, even better is the levels function if you have it. If you have the ability to use adjustment layers then you can select the darker area and adjust the exposure in the selected section. Even better if you have Elements 3 it has the highlight and shadow tool that will recover shadows to an extent unless it is very bad. The other method is more complex and maybe controversial. Taking two shots, one for the shadows and one for the highlights and blending the correctly exposed highlights with the correctly exposed shadows. Dont know haw much you know, so I will leave it at that for now
Message edited on: 01/25/2005 20:11
Attached Link: http://www.luminous-landscape.com/tutorials/blended_exposures.shtml
Check out this link.Good link, I have seen that before but had forgotten about it oops! Your welcome.
Message edited on: 01/25/2005 20:42
And every one said, 'If we only live,
We too will go to sea in a Sieve,---
To the hills of the Chankly Bore!'
Far and few, far and few, Are the lands where the Jumblies
live;
Their heads are green, and their hands are blue, And they went to
sea in a Sieve.
Edward Lear
http://www.nonsenselit.org/Lear/ns/jumblies.html
thx simon - yes I will have to work through it. the above image was untouched copy of original so I think the potential for improvement is there :)
And every one said, 'If we only live,
We too will go to sea in a Sieve,---
To the hills of the Chankly Bore!'
Far and few, far and few, Are the lands where the Jumblies
live;
Their heads are green, and their hands are blue, And they went to
sea in a Sieve.
Edward Lear
http://www.nonsenselit.org/Lear/ns/jumblies.html
I have just read the article from the link by misha (thx again misha) the part about auto bracketing was great explains how to get the shots for combining - just checked in my manual and my camera does have that facility so next time ............ I shall try it :)
Message edited on: 01/26/2005 12:25
And every one said, 'If we only live,
We too will go to sea in a Sieve,---
To the hills of the Chankly Bore!'
Far and few, far and few, Are the lands where the Jumblies
live;
Their heads are green, and their hands are blue, And they went to
sea in a Sieve.
Edward Lear
http://www.nonsenselit.org/Lear/ns/jumblies.html
It's not my intention to make promotion for something special, but: for film users the dynamical range of an image is best caught by colour slide film (negative film has become better, but still does not reach slides); for digital cameras there is Fujifilms unique Super CCD SR which - simply said - has two sensors per pixel: for light and dark values, and they pretend to extend the dynamic range by 400%; actually there are essentially two camra models using this chip; test images are indeed amazing...
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And every one said, 'If we only live,
We too will go to sea in a Sieve,---
To the hills of the Chankly Bore!'
Far and few, far and few, Are the lands where the Jumblies live;
Their heads are green, and their hands are blue, And they went to sea in a Sieve.
Edward Lear
http://www.nonsenselit.org/Lear/ns/jumblies.html