I can't see anything about this in the manual. The Z-Depth maps that I'm getting arn't very "deep" and was wondering what affected the depth of the map other than models in the sceen. focal length? F-Stop? I'd like to get a decent degree of depth so photoshop will behave when using lens blur.

The Z maps should be relative to what's in the image, dividing up the closest to the farthest into 256 steps regardless of the actual distance between them.

One thing that can screw you up is to make sure that there's no object far in the background that is throwing it off. I've done more than one render where everything turns out almost white because I didn't notice there was a tiny gap in the background allowing me see a sliver of a skydone or something similar which screwed it up.

Ok! that is what the problem then. I have a skydome in the render. thanks dude.

How can you get around that if the skydome is part of the render? Ever try changing the levels of the depth file in PS to add more contrast or does that just create a different problem?

what I did was keep the good render with the sky dome and then do a render where I turned off IDL and cast shadows and turned down the IC setting. This made it render in about 5 min but still gave me the zdepth map I needed (after turning off the sky dome in the hierarchy editor). then I just imported the good render along with the zdepth map from the crap render into photoshop.

Quote - How can you get around that if the skydome is part of the render? Ever try changing the levels of the depth file in PS to add more contrast or does that just create a different problem?

That won't help. The Z-depth is limited to 256 levels of gray, regardless of how "deep" the scene is.

Imagine you have a scene where you have two characters, one just in front of the other, and a skydome. The skydome is 2,560 feet behind the front character. This will mean the scene is divided into zones roughly 10 feet thick, and everything that falls within that zone will have the same shade of gray. If your second character, the one in back, is within 10 feet of the front one, they'll be the same shade. If the second is 11-20 feet away, it will be one step darker, and so on. So, in order to have one out of focus doing lens blur in Photoshop, practically speaking you'd have to change the image into pure black and white.

In the above scenario, that's easy. Now imagine if those those characters were standing on a street and you could see the ground. You can't reduce it to black and white because you need that constant transition from near to far.

The way it was done, doing one good render and then doing one crap render (turning off and turning down everything just to get the z-depth info) is the quickest way of doing it.