Jim Tetlow
Born 1974, UK
I like ambiguity in art. Uncertainty. What has to conform to the limits of our reality? Metal, glass and flesh can merge seamlessly, as if the surreal worlds and the life forms within are one and the same, and yet at odds sometimes. I rarely seek to endow my works with any "message". I am more interested in people's personal responses.
I'm a multimedia artist working in fine art (including sculpture), digital art, graphic design and various forms inbetween, also illustrating book covers and numerous CD covers. I also work in musical soundscaping, both solo and in group projects, of which there are many releases. I'd like to say a big thanks to everyone here who has supported me in my work and beyond since I began posting in June 2001. Too many to mention, you all know who you are... I'm meeting very special people here :-)
Update 01-08-05: I've been given a 4 page feature article in Issue 3 of the new media magazine Contour based in Atlanta, Georgia. The images printed very well and they did me proud.
Update 21-03-06: I've been spending the last 6 months living in New South Wales, Australia. Inspiring place! Also in the process of illustrating the book covers for a series of Japanese books called Hikishio no Toki (Time of the Ebb Tide) by Mayumura Taku - to date I've completed the first two of the five volumes. I've recently been returning to traditional media as well as producing the usual digital art, and contributed a sculptural canvas to a recent local exhibition. Link: Saatchi Gallery webspace
Update 09-01-21: I hadn't even logged in for some years. It's weird nipping back here after not even posting for 13 years, like revisiting your old school incognito. As I'm not active here anymore I wonder if anyone will even see this again besides me.
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Comments (6)
titta
This detail is gorgeous, and interesting to explore! I love this qork of your and I'm so happy to post these "real size" details. This is also veru inspirational; I'd really love to do something like this some day too. Those seeds are so beautiful; this part works really well as awhole picture too. The direction of the light plays fascinating role in these pictures. Wonderful! :-)
Synapse
Thanks Titta :-) Yes, I love the part that direction of light plays in these works. I photographed them from four different angles (via rotating the canvas and re-rotating the image back) and chose the one which worked best. I thought about posting the same thing from multiple angles but don't want to saturate my gallery with a sameness! I do have an account at photobucket.com though so I could always include extra links in my text :-)
bevchiron
I really like the way these works can change with the angle of light & the point of view, it adds a whole other dimension to them, that ambient light works well in this one again! The details work well as both landscapes & abstracts in their own right too & seeing the textures close up makes me appreciate them even more, keep them coming Jim ; )
ifos
I really like this series, the lack of colour and use of strong directional light gives it a really original feel. Bravo!!
erlandpil
Good serie
claridad
Amazing how each part has its own identity as you focus there and change the lighting. I'm curious Jim, have you ever add painted over one of these, in part or in whole. I like them as they are, but I couldn't help pulling out the paint brush just to experiment, maybe watercolor. LOL! I have the same desire to do that to some of my husbands woodcarving images. I'm such a color addict! V